Wish in One Hand…: Roth Revamps Urban Terror for the Neo-Privileged
Vigilantism isn’t perhaps the best narrative thrust for American audiences during the early days...
Nice Splice: Narrative Hasn’t Evolved in Trevorrow’s Dino Reboot
If there’s one aspect depicting the fickle nature of the human consumer the latest chapter in...
Goodbye Horses: Chopra’s Nonsensical English Language Debut
The point of Bollywood director Vidhu Vinod Chopra’s English debut Broken Horses seems lost, along with a whole...
About Last Night : Collet-Serra’s Latest Neeson Rating
You may not have realized it, but while the Taken trilogy was warping its course through a series...
I Never Served Time For My Father: Dobkins’ Middling Melodrama
Groaning beneath the weight of its desperate grandstanding for awards consideration, David Dobkins’ The Judge...
Wet Behind the Ears: Alaimo’s Suburban Malaise a Standard Procedure
We’ve come to expect a certain amount of functional dysfunction to be featured in independent...
Country Bumpkin: Bond’s Debut a Grating Escapade of Disingenuous Cliché
Swedish born Fredrik Bond, who’d made a notable name for himself as a successful director...