Tag: Vincent Maraval
Fjord | 2026 Cannes Film Festival Review
Uncanny Valley: Mungiu Explores Liberated Prisons
Totalitarian mentality is driven to logical extremes in Fjord, Romanian auteur Cristian Mungiu’s first foray outside of his native...
The Old Oak | Review
A Tree Grows in England: Loach Loses Steam in Klutzy Refugee Drama
There’s no doubt Ken Loach is one of the most prominent social-realist directors...
Final Cut (Coupez!) | Review
Primetime Cut: Hazanavicius Returns to Absurdity with Overdone Zombie Remake
Michel Hazanavicius has certainly established his affection for the nonsensical, making a name for himself...
Ken Loach’s The Old Oak – 2023 Cannes Critics’ Panel: Day 10
Will Ken Loach three-peat with what could be his last-ever feature? This is the question that Thierry Frémaux put forth and perhaps the best...
Holy Spider | Review
Thrill Crazy. Kill Crazy. God Crazy: Abbasi Tackles Brutal Reality of Women and Islamofascism
“Every man shall meet what he wishes to avoid,” is the...
Vortex | Review
All That We See or Seem: Noe Delivers Devastation Through the Definitiveness of Death
There’s no pleasure to be had, whatsoever, in the experiencing...
2022 Sundance Film Festival: Phyllis Nagy, Lena Dunham, Jesse Eisenberg, John Patton Ford & Hazanavicius Fill Premieres Section
In the Premieres section you'll usually find a mix of studio unveilings and high profile acquisitions titles and in the almost equal split between...
Flag Day | Review
Americana Trauma: Penn Returns with Hysterical Melodrama
After the formidable misfire of his last directorial effort The Last Face (2016), Sean Penn unfortunately doesn’t fare...
Oxygen [Video Review]
All I Need is the Air That I Breathe: Aja Gets Air/Time in Unique Thriller
Alexandre Aja, initially classified as a member of the “Splat...
French Exit | Review
You’ll Like My Mother: Jacobs Finds Pfeiffer in Eccentric Dangerous Liaison
Director Azazel Jacobs presents his most lavish offering to date with fourth feature French...
Climax | Review
Don’t Stop Till You Get Enough: Noe Does Sensory Deception with Latest Dark Odyssey
Come again? Enfant terrible Gaspar Noe returns to cinema of...
Desplechin gets Ish with “Ismael’s Ghosts” | DVD Review
A star-studded cast can’t quite save Arnaud Desplechin’s troubled dramedy Ismael’s Ghosts, which opened the 2017 Cannes Film Festival as an out-of-competition entry (a...
Criterion Collection: Beyond the Hills | Blu-ray Review
For his third film, and his follow-up to his 2007 Palme d’Or winner 4 Months, 3 Weeks and 2 Days, Cristian Mungiu, titan of...
The Conversation: Producer Vincent Maraval
Since its inception in the late 1990s as a subsidiary of Studiocanal, before breaking off on its own in 2002, French distribution company Wild...
Top 100 Most Anticipated Foreign Films of 2016: #16. Nicolas Winding Refn’s The Neon Demon
The Neon Demon
Director: Nicolas Winding Refn
Writers: Mary Laws, Nicolas Winding Refn
Danish auteur Nicolas Winding Refn, who has since attained cult status thanks to the...
Love | Review
Scorpio Becomes Electra: Noé's Sex Scenes from a Marriage
The last time we were caught in provocateur Gaspar Noé’s crosshairs it was back in 2009...
