Tag: Yann Gonzalez
2025 Venice Gap-Financing Market: Ulrich Seidl, Sofia Alaoui, Emily Atef, Luis Ortega, Babak Jalali & Kamila Andini
The projects for the upcoming Venice Gap-Financing Market have been unveiled (32 feature-length fiction) and there’ll be several listed here projects that we’ll discuss...
2022 Cannes: Goutte d’Or, Alma Viva & The Woodcutter Story Among Critics’ Week Selections
The newly minted "French Touch" award could easily define Critics' Week topper Ava Cahen's first line-up edition - as the 2022 slate is full...
Knife + Heart | Review
Your Vice is a Locked Room and Only I Have the Key Light: Gonzalez’s Queer Giallo a Dicey Mélange
Love as an overwhelming, all-consuming fire...
2018 Cannes Critics’ Panel: Day 12 – Yann Gonzalez’s Knife + Heart
Only his second film, and Yann Gonzalez has broke into the festival on both occasions. His 2013 debut You and the Night shored up...
Live from Cannes: 2018 Cannes Critics’ Panel – Meet the Jury!
Celebrating our seventh year, for the 71st edition of Cannes, we decided to switch things up for our Cannes Critics' Panel. First, we expanded...
The Conversation: Nicholas Bell’s Top 10 Most Anticipated 2018 Cannes Films
Time will surely tell if Cannes 2018 is as truly daring as it thinks its competition line-up is, sporting nine directors (nearly half of...
The Conversation – Cannes Predictions II: La France
Perhaps more contentious than any other competition titles are the French language items jockeying for coveted slots which are announced last. Both Claire Denis...
Top 100 Most Anticipated Foreign Films of 2018: #59. Yann Gonzalez’s Un couteau dans le coeur
Un couteau dans le coeur
Making headlines with his 2013 debut You and the Night, which detailed an orgy staged by a couple and their...
Most Anticipated Foreign Films of 2017: Picks 200 to 101
As we unveil our first tier of two hundred notable foreign film projects to be potentially unveiled in 2017, the coming year promises to...
Through the Looking-Glass…Top 200 Most Anticipated Films of 2017: An Introduction
As we were putting together our projections for most anticipated films due in 2017, we noticed there were too many notable titles to be...
52nd Cannes Critics’ Week Packed with Salvo, Quillévéré’s Suzanne & Lowery’s Ain’t Them Bodies Saints
As hard it is to predict, the sidebar section all the way at the other end of the Croisette contains a trio of titles...
