Tag: 2020 Toronto Intl. Film Festival

My Best Part (Garçon chiffon) | Review

Green Eyes, They’re Crying: Maury Mines Sorrow in Tragicomic Debut Actor Nicolas Maury crafts his own starring vehicle in My Best Part (Garçon chiffon) as...

Summer of 85 (Été 85) | Review

Summertime Sadness: Ozon Casts Yonder Glance at the Boys of Summer Rare is the year without a fresh offering from perennial French favorite François Ozon,...

Quo Vadis, Aïda? | Review

And Who Shall Be Able to Stand?: Žbanić Returns to Srebrenica in Harrowing Account of Bosniak Genocide If cinema has any responsibility as an artform,...

I Care A Lot | Review

Battle of the Bilk: Blakeson Returns with Topical Con Comedy “There’s no such thing as good people,” croons the dulcet Rosamund Pike over the opening...

Joe Bell | Review

Walking & Talking: Green Dons Didactic in Heartfelt, Sentimental Social Issue Drama Representation of thought processes and progressive epiphanies are the necessary conjunction with diversity,...

Nomadland | Review

Ballad of a Rolling Stone: Zhao Basks in the Beatitude of America’s Heartland Director Chloé Zhao follows up her critically acclaimed 2018 sophomore feature The...

Dea Kulumbegashvili – Beginning [Video Interview]

One of the brighter notes in world cinema circa year one of the pandemic, Dea Kulumbegashvili's directorial debut (an official entry for Georgia for...

Beginning | Review

Carpet Burn: Kulumbegashvili Unnerves with Exacting Debut of Violence and Veneration For decades, the international presence of Georgian cinema was thanks (mostly) to the output...

True Mothers | Review

Mother Has Arrived: Kawase Returns with Intersecting Drama on Motherhood Recently, Naomi Kawase, a staple amongst arthouse enthusiasts of Japanese cinema, has been drifting ever...

Pieces of a Woman | Review

Brink of Life: Mundruczó Hunts for the Grace in Grief with English Language Debut One of Hungary’s most prolific arthouse auteurs of the last decade...

Another Round | Review

The Libation Bearers: Vinterberg Explores a Collective Mid-life Crisis in Boozy Black Comedy Thomas Vinterberg returns to his favored motifs, experimental behavioral portraits of Danish...

Ammonite | Review

The Shell Seekers: Lee Recuperates a Scientist’s Legacy in Languid Love Story As its title suggests, Ammonite, the sophomore feature from burgeoning director Francis Lee,...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...