Tag: 2021 Berlin International Film Festival

Brother’s Keeper | Review

School Ties: Karahan Paints a Chilly Scene of Winter in Boarding School Melodrama The numbing apathy of poverty chained to tireless bureaucracy is met with...

Mr. Bachmann and His Class | Review

Teacher Feature: Speth Captures the Complex Alchemy of Education and Empathy in Moving Documentary What do you remember most about your experience as a student,...

Taste | Review

In the Realm of the Senses: Le Bao Explores Oblique Pleasures in Handsome Debut Vietnamese filmmaker Lê Bảo announces himself as an immediate director of...

Ballad of a White Cow | Review

Kismet Kisses: Moghaddam & Sanaeeha Mine Intimate Vengeance in Rich Melodrama The opening moments of Ballad of a White Cow evokes a quote from Al-Baqarah...

Fabian – Going to the Dogs | Review

The Dog Days Aren’t Over: Graf Puts a New Coat of Paint on the Weimar Republic The Weimar Republic, aka the German Republic, which lasted...

Bad Luck Banging or Loony Porn | Review

Stand & Deliver: Jude Doubles Up on the Viral in Kangaroo Court Leave it to Radu Jude to take a sad song and make it...

Wheel of Fortune and Fantasy | Review

Flesh+Fantasy: Hamaguchi Harvests Regrets in Eloquent Triptych One of Japan’s most compelling and profound contemporary auteurs is Ryusuke Hamaguchi, a purveyor of the barely contained...

Albatros (Drift Away) | 2021 Berlin International Film Festival Review

Bye Bye Birdie: Beauvois Bears Burdens in Old-Fashioned Melodrama The albatross, a large white seabird with a significant wingspan, has been a symbol of a...

Petite Maman | 2021 Berlin International Film Festival Review

Going Home Again: Sciamma Delivers a Slight, Eloquent Slice of Novel Sci-fi Céline Sciamma has built a formidable filmography on tenuous stages of women’s developmental...

Introduction | 2021 Berlin International Film Festival Review

Prelude Mood: Sangsoo Explores Familiar Themes with Droll Snippets What might one make of Hong Sang-soo if Introduction was their first experience with the perennial...

I’m Your Man | 2021 Berlin International Film Festival Review

The Girl and the Robot: Schrader Wows with Exceptional Exploration of Love, or Something Like It Harlan Ellison memorably titled a collection of short stories,...

Natural Light | 2021 Berlin International Film Festival Review

In the Fog: No Light at the End of the War Tunnel in Nagy’s Grim Debut Following in the well-grooved footsteps of many notable Euro...

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Paper Tiger | Review

In the Forests of the Night: Gray Frames Fearful...

TheyDream | Review

Frames That Mend: Caballero Unevenly Probes Puerto Rican Family...

The Devils (1971) | Review

Sympathy for The Devils: The Suppression of Ken Russell’s...

Ken Russell’s The Devils – 2010 Fantasia International Film Festival

Iconic director Ken Russell was in town to receive a lifetime achievement award from Fantasia for his 50-plus years in the business, a career that has spawned many genre classics including Altered States, Gothic, and The Lair of the White Worm. But it was the little-seen and hard to find The Devils from 1971 that proved to be Russell's most controversial work, and Fantasia managed to snag a copy to be screened on Russell's big night. In the video, Russell discusses the true story behind the film and receives his award with the grace befitting one of the great filmmakers of all time.