Actress-filmmaker (she forever stole our cinephile heart for her role in Abdellatif Kechiche's The Secret of the Grain back in 2007) Hafsia Herzi has...
No Country for Smart Men: Aster Satirizes the Obvious
It would seem all is actually for naught in Eddington, Ari Aster’s sprawling, meandering fourth and...
The Lost Daughter: Herzi Passes Up Potency in Standard Adaptation
“My name is Fatima,” is one of the constant refrains utilized in Fatima Daas’ celebrated...
Burn Witch, Burn: Kowalski Nurses a Curse in Sinister Backwoods
For her sophomore feature Her Will Be Done (Que ma volonté soit faite), Julia Kowalski...
Belle de Jour: Mourning Becomes Sex Work in Poukine’s Debut
There’s arguably a slippery slope at work in Alexe Poukine’s narrative debut Kika, a far...
When he was selected for the prestigious competition section this past April, Paris-born Spanish of Galician background filmmaker Óliver Laxe achieved a remarkable feat...
Known for a filmography heavy into psychological thriller portraits with noir and crime element trimmings, the French-German filmmaker saw his second and third features...
A Bridge Too Far: Laxe Enters the Zone
“The Zone wants to be respected. Otherwise it will punish.” Aleksandr Kayadonvsky’s line from Tarkovsky’s existential sci-fi...
Investigation of Citizens Above Suspicion: Moll Persists with Police Procedural
Dominik Moll reunites with his usual collaborating scribe Gilles Marchand in Dossier 137, their third...
Women on the Verge of a Nervous Breakdown: Schilinksi Paints a Microcosm of Misogyny
The original title of Mascha Schilinski’s sophomore feature was The Doctor...
No Bandaid Solutions: Wandel’s Suffocating Drama Explores Collective Collateral Damage
Following her remarkable debut Playground (read review), Belgian auteur Laura Wandel moves from a harrowing...
Call Me By Your Pain: Campillo Gently Guides Cantet’s Swan Song
Laurent Cantet was a filmmaker consistently concerned with humans existing on the margins, those...
After premiering The Nothing Factory in the Directors' Fortnight section back in 2017, Portuguese filmmaker Pedro Pinho returns to Cannes this time with I...
Among the selections found in this year's Cannes Film Festival Un Certain Regard line-up we find “Caravan,” Czech filmmaker Zuzana Kirchnerová's feature debut. The...
The competition section films vying for the Palme d'Or will finally have moved from the initial selection of nineteen to twenty-one with Thierry Frémaux...
Italian filmmaker Alice Rohrwacher might be the most caffeinated filmmaker on the Croisette this year. After gifting us her first masterwork in La Chimera...
The clock is ticking—it’s the eleventh hour. The Délégué général Thierry Frémaux is deep in the final throes of curating this year’s Competition lineup...
German filmmaker Christian Petzold has finally been invited to Cannes - it took the Directors' Fortnight programmers to roll out their red carpet. Starring...
Playground's Laura Wandel's highly anticipated sophomore feature L'intérêt d'Adam (Adam’s Interest) is indeed premiering in Cannes - as the opening film for the 64th...
A competition filmmaker mainstay, Kirill Serebrennikov has been downgraded to the Cannes Premiere section for the world premiere to The Disappearance of Josef Mengele....
La Petite Dernière
Hafsia Herzi
Producers: June Films' Naomi Denamur and Julie Billy
World Sales: mk2
In her first pair of attempts, actress-filmmaker Hafsia Herzi has managed to...
After putting out our predictions for the Critics' Week, Directors' Fortnight and Un Certain Regard programmes we now look at the Cannes Premiere section....
In the inaugural year of his mandate, Directors' Fortnight (aka Quinzaine des cinéastes) Artistic Director Julien Rejl could point to Caméra d'Or Award winning...