Tag: Bill Pullman

Lost Highway (1997) | Review

Fugue De Chao: Lynch Hits the Yellow Bricks in Masterful, Neglected Daymare “I like to remember things my own way,” remarks the onerous protagonist of...

The High Note | Review

Do You Know Where You’re Going To?: Ganatra Gets Off-key with Recycled Formula Same shit, different day could have been a potential tagline for The...

Dark Waters | Review

Far From Heaven: Haynes Mounts Modest Environmental Drama In the oft-prestigious subgenre of environmental thrillers, particularly those detailing the grossly inhuman actions of powerful...

Top 100 Most Anticipated American Independent Films of 2019: #12. Todd Haynes’ Dry Run

Dry Run Todd Haynes as certainly been enamoured by the iconoclast set of glam rockers to folk artists, but he might be actually aiming for...

Top 100 Most Anticipated American Indie Films of 2018: #37. Adam McKay’s Backseat

Backseat I'm getting ready to hate this film .... but for all the right reasons. One of the more costly film productions on our list,...

American Ultra | Review

The Long Spliff Goodnight: Nourizadeh’s Stoner Action Flick Mixes Kooky with Convention Comprised of a tangle of similar narrative threads spliced together from a variety...

The End of Violence | Blu-ray Review

Arriving for the first time on Blu-ray courtesy of Olive Films is Wim Wenders’ 1997 existentialist take on the definition of violence and its...

Cymbeline | Review

Riot This Way: Almeryeda Back to Contemporizing Shakespeare While many were quick to critique director Michael Almereyda’s Y2K update of Shakespeare’s most notable play, Hamlet,...

The Equalizer | Review

Sequelizer: Fuqua Resurrects Vintage TV Series to Maudlin Effect Upon the project’s official announcement, it may not have seemed a necessarily surprising or even awful...

May in the Summer | Review

Summer of Our Discontent: Dabis’ Sophomore Feature an Uneven Venture Nebraska born filmmaker Cherien Dabis follows up her well received 2009 debut Amreeka with a...

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2025 Cannes Critics’ Panel: Day 8 – Mario Martone’s Fuori

In an even split, and in two different waves,...

2025 Cannes Critics’ Panel: Day 8 – Jafar Panahi’s ‘It Was Just an Accident’

Jafar Panahi might be more synonymous with Berlin say...

Aisha Can’t Fly Away | 2025 Cannes Film Festival Review

Buliana Simon Shines In Gritty Immigrant Story That Struggles...

2025 Cannes Critics’ Panel: Day 7 – Julia Ducournau’s ‘Alpha’

Body horror, psychological issues, and social commentary best describe...