Tag: Bill Skarsgard

Nosferatu (2024) | Review

Basic Instincts: Eggers Taps Into the Bloodlust with Vampy Remake It would seem there’s no one more fitting than Robert Eggers to mount a remake...

Interview: Edson Oda – Nine Days

Edson Oda’s debut feature Nine Days, is, quite simply, miraculous. This spiritual-fiction (“spi-fi”—coined by supporting lead Benedict Wong) film follows Will (Winston Duke in...

2021 Sundance Film Festival Predictions: Chase Palmer’s Naked Singularity

We were anticipating a showing of Naked Singularity at last year's edition of Sundance and of course it didn't land anywhere else this year...

The Devil All the Time | Review

Devil May Care: Campos Composes Heady Southern Gothic For his fourth feature film The Devil All the Time, based on the 2011 novel by Donald...

2020 Sundance Film Festival: Janicza Bravo’s Zola, Josephine Decker’s Shirley & Eliza Hittman’s Never Rarely Sometimes Always in U.S. Dramatic Comp

Among the sixteen narrative feature films announced today all vying for Grand Jury Prize Award we have highly anticipated items from Janicza Bravo (Zola),...

Top 100 Most Anticipated American Indie Films of 2018: #76. Sam Levinson’s Assassination Nation

Assassination Nation Sam Levinson offered us one of the best films of 2011 with his directorial debut --- we called it “a bitter, nasty, angry film about...

Tuesday Blus: Stanley Kramer’s Not as a Stranger & Andy Muschetti’s It

This week’s edition of Tuesday Blus includes the following titles: Not as a Stranger (1955) – Kino Lorber, The Taking of Beverly Hills (1991)...

Sundance ’18: Levinson, Cosmatos, Pesce & RKSS Bring Screams & Blood Curdling to the Midnight

Remarkably, this year's Midnight section has this in common: Sam Levinson, Panos Cosmatos, Nicolas Pesce (see pic above) and the team of Francois Simard,...

2018 Sundance Film Festival Predictions: Sam Levinson’s Assassination Nation

It's been a long seven years between features for Sam Levinson. Having started his film career with one of the best films from 2011...

It | Review

The Right Stuff: Muschietti’s Floats to the Top with a Crack at King Often, cinema has not proven to be a kind vessel for the...

The Divergent Series: Allegiant – Part 1| Review

Once More With(out) Feeling: Schwentke Barrels Along with Malingering Franchise If we’ve reached uncomfortable saturation levels with super hero tent poles, the same conversations should...

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2025 Cannes Critics’ Panel: Day 8 – Mario Martone’s Fuori

In an even split, and in two different waves,...

2025 Cannes Critics’ Panel: Day 8 – Jafar Panahi’s ‘It Was Just an Accident’

Jafar Panahi might be more synonymous with Berlin say...

Aisha Can’t Fly Away | 2025 Cannes Film Festival Review

Buliana Simon Shines In Gritty Immigrant Story That Struggles...

2025 Cannes Critics’ Panel: Day 7 – Julia Ducournau’s ‘Alpha’

Body horror, psychological issues, and social commentary best describe...