Tag: Bill Skarsgard
Nosferatu (2024) | Review
Basic Instincts: Eggers Taps Into the Bloodlust with Vampy Remake
It would seem there’s no one more fitting than Robert Eggers to mount a remake...
Interview: Edson Oda – Nine Days
Edson Oda’s debut feature Nine Days, is, quite simply, miraculous. This spiritual-fiction (“spi-fi”—coined by supporting lead Benedict Wong) film follows Will (Winston Duke in...
2021 Sundance Film Festival Predictions: Chase Palmer’s Naked Singularity
We were anticipating a showing of Naked Singularity at last year's edition of Sundance and of course it didn't land anywhere else this year...
The Devil All the Time | Review
Devil May Care: Campos Composes Heady Southern Gothic
For his fourth feature film The Devil All the Time, based on the 2011 novel by Donald...
2020 Sundance Film Festival: Janicza Bravo’s Zola, Josephine Decker’s Shirley & Eliza Hittman’s Never Rarely Sometimes Always in U.S. Dramatic Comp
Among the sixteen narrative feature films announced today all vying for Grand Jury Prize Award we have highly anticipated items from Janicza Bravo (Zola),...
Top 100 Most Anticipated American Indie Films of 2018: #76. Sam Levinson’s Assassination Nation
Assassination Nation
Sam Levinson offered us one of the best films of 2011 with his directorial debut --- we called it “a bitter, nasty, angry film about...
Tuesday Blus: Stanley Kramer’s Not as a Stranger & Andy Muschetti’s It
This week’s edition of Tuesday Blus includes the following titles: Not as a Stranger (1955) – Kino Lorber, The Taking of Beverly Hills (1991)...
Sundance ’18: Levinson, Cosmatos, Pesce & RKSS Bring Screams & Blood Curdling to the Midnight
Remarkably, this year's Midnight section has this in common: Sam Levinson, Panos Cosmatos, Nicolas Pesce (see pic above) and the team of Francois Simard,...
2018 Sundance Film Festival Predictions: Sam Levinson’s Assassination Nation
It's been a long seven years between features for Sam Levinson. Having started his film career with one of the best films from 2011...
It | Review
The Right Stuff: Muschietti’s Floats to the Top with a Crack at King
Often, cinema has not proven to be a kind vessel for the...
The Divergent Series: Allegiant – Part 1| Review
Once More With(out) Feeling: Schwentke Barrels Along with Malingering Franchise
If we’ve reached uncomfortable saturation levels with super hero tent poles, the same conversations should...
