Tag: Francesco Melzi d’Eril
Interview: Dea Kulumbegashvili – April
After making its debut at the Venice Film Festival and touring other prestigious autumn festivals like Toronto, San Sebastian, London BFI, and NYFF, it...
April | Review
A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in Body Horror
I do not wish them to have power over men; but over themselves,”...
A Pain That I’m Used To: Metrograph Pictures Tables Dea Kulumbegashvili’s ‘April’
Perhaps the landmark sophomore feature of 2024, Georgian filmmaker Dea Kulumbegashvili has found a safe space in the U.S. via newish distributor Metrograph Pictures...
2022 Indie Spirits Awards Noms: The Cathedral, Palm Trees and Power Lines, Murina & Aftersun Are Glowing
Everything Everywhere All At Once, Tár, Women Talking and Bones and All are the heavyweight indies that will be properly feted the day before...
200 Meters | Review
Faraway, So Close: Nayfeh Showcases Absurdity’s Segue to Tragedy in Meaningful Debut
The ongoing conflict between Israel and Palestine is one of several contemporary global...
2022 Sundance Film Festival Predictions: Luca Guadagnino’s Bones & All
He had Call Me By Your Name have its world premiere in Park City, so Luca Guadagnino's first American shot film project in Bones...
Top 150 Most Anticipated Foreign Films of 2020: #124. Born to Be Murdered – Ferdinando Cito Filomarino
Born to Be Murdered
Italy’s Ferdinando Cito Filomarino (great nephew of Luchino Visconti) looks set for an international breakout with sophomore feature Born to Be...
Suspiria | Review
Dance the Dance of Another: Guadagnino Goes Deeper & Weirder in Ambitious Argento Remake.
Luca Guadagnino has always been a supremely divisive filmmaker, capable of...
