Une Femme Est Une Femme: Taylor Tries Temptation in Derivative Neo-Noir
Infidelity, yet again, provides the impetus for a conveniently staged adult contemporary thriller from...
The Most Capitalist Game: Zobel Skewers Class Consciousness with Ribald Satire
Social satire is perhaps the only conducive way to narratively navigate the ills...
They Call Me Mother: Sputore Examines What It Means to Be Human in Sci-Fi Debut
Australia’s Grant Sputore makes an impressive directorial debut with the...
I Am Mother
Australia’s Grant Sputore makes a high profile directorial debut with I Am Mother, a post-apocalyptic sci-fi feature produced by Kelvin Munro of...
Tragedy + Comedy = Family: Chomko’s Unforgettable Alzheimer's Story
In a year where so many films feel politically charged, What They Had is a refreshingly...
Jumping Claims: Jones’ Attempt at Revisionist Western Withers Under its Own Intentions
Try as it might, The Homesman, Tommy Lee Jones’ first directorial effort since...
You-Hoo: Wolfe’s ALS Drama Tries To Balance Sentiment With Schmaltz
Hilary Swank seems attracted to playing daunted heroines, continually up against considerable odds---the homophobic rednecks...
The Homesman
Director: Tommy Lee Jones
Writers: Kieran Fitzgerald, Tommy Lee Jones, Wesley A. Oliver
Producers: Luc Besson, Peter Brant, Michael Fitzgerald, Tommy Lee Jones
U.S. Distributor: Rights...