Tag: Jeremy Irons

Interview: Annemarie Jacir – Palestine 36

With her sweeping and ambitious fourth feature, Palestine 36, Annemarie Jacir gives emotional weight to the history books, excavating the roots of nearly a...

House of Gucci [Video Review]

One of rare breed of studio directors who effectively captures pageantry and opulence no matter the epoque the narrative is set in, social...

Red Sparrow | Review

Bird of Prey: Lawrence Tries a Red Scare with Gritty Espionage Thriller Like the Marquis de Sade outfitted for a contemporaneous tangent of the...

Their Finest | Review

A Screen of Their Own: Scherfig Concocts Winning WWII Romantic Comedy Danish director Lone Scherfig, best known for her Dogme 95 breakout Italian for Beginners...

Rabid / Dead Ringers | Blu-ray Review

Shout Factory rejuvenates two titles from David Cronenberg’s prolific vault, his 1977 horror film Rabid, which featured adult film star Marilyn Chambers in her...

The Man Who Knew Infinity | Review

Beautiful Mind: Brown’s Restitution for Neglected Mathematics Genius For those outside of an academic realm in mathematics, the name Srinivasa Ramanujan most likely won’t register,...

High-Rise | 2015 TIFF Review

Closer to the Gods: Cult Author Meets Cult Director in Wheatley’s Latest Dish Destined to be overlooked as a visually impressive but significant creative failure,...

Criterion Collection: The French Lieutenant’s Woman | Blu-ray Review

In the decades since its premiere, The French Lieutenant’s Woman is now most commonly discussed for its placement in the extensive awards resume of...

Top 100 Most Anticipated Foreign Films of 2015: #39. Ben Wheatley’s High Rise

High Rise Director: Ben Wheatley// Writer: Amy Jump The fast moving and increasingly prolific Ben Wheatley commands a significant following after only four incredibly well received...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...