Tag: Larry Fessenden

Jakob’s Wife [Video Review]

The Pastor and the Master: Stevens Enjoyably Re-Vamps Domestic Distress in Grisly Black Comedy Behind every man is a diminished woman, or so goes the...

Interview: Ana Asensio (Most Beautiful Island)

Winner of the 2017 Grand Jury Award at the SXSW film festival, I got to sit down with writer-director, producer and lead actress Ana Asensio at...

Carnage Park | Review

Carnage Knowledge: Keating’s Halfhearted Shot at Grindhouse not a Fine Vintage For his fourth feature, indie genre director Mickey Keating attempts a vintage crime/horror mash-up...

The Larry Fessenden Collection | Blu-ray Review

Scream Factory and IFC Midnight have paired up to present an inspired disc set for The Larry Fessenden Collection, an assortment of four of...

We Are Still Here | Review

From its chilly opening sequences and impressive title unveil, Ted Geoghegan’s slim yet sturdy debut We Are Still Here belongs to a contemporary tradition...

Oscilloscope Become Grounds & Gatekeepers for “Body”

A Slamdance Film Fest invitee and with a future Stanley Film Festival (3rd edition looks stellar) playdate locked up, Dan Berk and Robert Olsen’s well-received directorial...

The ABCs of Death 2 | Review

Same Old Song: Scant Few Highlights Justify Lengthy Omnibus Well, alphabet soup horror is back with The ABCs of Death 2, a follow-up to the...

The Catechism Catalysm’s Todd Rohal & Juan of the Dead’s Alejandro Brugués to Blow a Gasket on ABCs of Death Sequel

Already stacked with an eclectic line-up with the likes of Álex de la Iglesia, Rodney Ascher, Erik Matti, Sion Sono and Jerome Sable, producers...

Beneath | Review

Congrats Grads: Fessenden Terrorizes Teens with Latest Environmental Horror According to the films of Larry Fessenden, Mother Nature poses the greatest threat of all to...

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The Black Ball (La bola negra) | 2026 Cannes Film Festival Review

The Play’s the Thing: Ambrossi & Calvo Connect the...

2026 Cannes Critics’ Panel: Day 9 – Lukas Dhont’s ‘Coward’

From Belgium, Lukas Dhont makes his third trip to...

2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...