The Brutalist family reunion continues as Screen Daily reports that Antonia Campbell-Hughes’ sophomore feature Diamond Shitter (which will also be known as the generic...
Unfolding like a psychological seesaw of balanced fear, delusion, and unexpected intimacy—Teddy Gatz has slipped so deeply into conspiracy thinking that it has isolated...
I participated in a virtual roundtable for the film this past weekend just before yesterday's Gothams nominations announcement where Bugonia (read our Venice review)...
When Will They Ever Learn?: Lanthimos Turns to Eco-Horror
Yorgos Lanthimos embarks on his first remake with Bugonia, a loose adaptation of the 2003 Korean...
Dole Days: Arnold Flutters About with Strange Bedfellows
There’s certainly a definable emotional core in Andrea Arnold’s fifth narrative feature, Bird, but the ideas and...
Bounds of Boundaries: Lanthimos Entertains Himself with Bizarre Triptych
It’s safe to say Yorgos Lanthimos has undoubtedly entered the oblivious, self-indulgent era of his career...
The Story of O: Lanthimos Mesmerizes with Fiercely Compelling Frankenstein Tale
“Men have constructed female sexuality and in so doing have annihilated the chance for...
World premiering at the 2021 Telluride Film Festival, C'mon C'mon is Mike Mill's fourth feature film following Thumbsucker (2005), Beginners (2010) and 20th Century...
Turn the Dial: Mills Explores the Mysteries of Youth, Exalted.
Mike Mills’ C’mon C’mon is a poignant, mellow ode to the next generation, explored through...
Roadside Assistance: Potter Putters in Nonsensical Melodrama
Who is the nearly catatonic man being dragged through New York by his overly sincere daughter? His name...
Courtship at Court: Lanthimos Delights with 18th-century Royal Love Triangle
At Her Majesty Queen Anne’s palace, its a disheveled state of affairs. There’s an ongoing...
Iconic director Ken Russell was in town to receive a lifetime achievement award from Fantasia for his 50-plus years in the business, a career that has spawned many genre classics including Altered States, Gothic, and The Lair of the White Worm. But it was the little-seen and hard to find The Devils from 1971 that proved to be Russell's most controversial work, and Fantasia managed to snag a copy to be screened on Russell's big night. In the video, Russell discusses the true story behind the film and receives his award with the grace befitting one of the great filmmakers of all time.