Tag: Scott Haze

Jurassic World Dominion | Review

This World Is Not Enough: Trevorrow Goes Through the Motions in Extinction Level Event It’s neither the first nor the last time a toxic commingling...

Antlers | Review

The Killing of a Sacred Deer: Cooper Wanders Unevenly into Indigenous Lore Director Scott Cooper moves beyond the comfort of his melodramatic roots with Antlers,...

Old Henry | Review

The Kid Stays in the Picture: Ponciroli Goes Old Fashioned with Fan Fiction Western At a certain point, revisionism strays so far into its own...

2021 Sundance Film Festival Predictions: Lyle Mitchell Corbine Jr.’s Wild Indian

His short film Shinaab was featured at the 2017 edition of Sundance (he also received some TLC from TIFF not once, but twice) and...

Midnight Special | Review

The Power of One: Nichols’ Sci-Fi Studio Film a Wispy Homage Indie director Jeff Nichols makes his first crossover to studio fare with Midnight Special,...

2016 Sundance Film Festival Predictions: James Franco’s In Dubious Battle

The unpredictability with this filmmaker-actor is that he has got plenty of projects stoking the fire and we never know which item might push...

2016 Sundance Film Festival Predictions: Rafael Palacio Illingworth’s The Force

Shot in June in Los Angeles, The Force features Olivia Thirlby and Ben Feldman in the pole position as newly married urbanites with a...

The Sound and the Fury | Review

But a Walking Shadow: Franco’s Faulkner Redux Merely Serviceable Continuing to thumb his nose at naysayers, James Franco plunges onward into his own particular directorial...

Child of God | Review

Requiem for a Cave Man: Franco’s McCarthy Adaptation Displays Growth On a similar directorial trajectory as, let’s say, Joe Swanberg, where quality vs. quantity tends...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...