One Flew Over the Coup’s Nest: Saleh Muddles Through Propaganda Politics
“Propaganda, to be effective, must be believed. To be believed, it must be credible....
The results of the first Eurimages Project Evaluation Session of 2024 have been unveiled and among the batch of European-based filmmakers to receive some...
ARTE France Cinéma are throwing their support behind the new projects (which will drop in 2025) from Albert Serra, Hafsia Herzi, Kleber Mendonça Filho...
You Gotta Have Faith: Saleh Explores Corruption of Institutions in Procedural Thriller
“Power is a double edged sword. Sometimes it cuts the hand that wields...
As per usual, IFFR likes to drop a sampling of confirmed titles just before the official line-up unveiling (namely the Tiger Competition on December...
The likes of first-time comp contenders Kelly Reichardt, Ali Abbasi and Lucas Dhont are joining former Palme d'Or winners Ruben Östlund, Kore-eda Hirokazu, the...
Cairo Crime: A Murder Mystery Simmers Against the Backdrop of a Revolution
After an animated feature about a dystopian nightmare (2009’s Metropia), a Swedish heist...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.