The Lost City of Twee: Anderson Continues Quest of Counterfeit Sentiments
Somewhere along the way, over the past twenty years, Wes Anderson’s style completely...
Technically speaking the great American filmmaker Wes Anderson has now appeared in the Cannes competition with three titles - opening the '12 edition with...
Hermes’ Hermits: Greengrass Finds Humanity in the Crevices of Revisionist Western
Home is where the hope is, rather than the heart, and there’s nary much...
Showboating: Schneider Sinks Ships with WWII Historical Action
Cinema is littered with war-time submarine action epics, a claustrophobic setting which taps into universal anxieties and...
Indie darling James Ponsoldt experienced his first major hiccup with a swipe at the mainstream with tech thriller The Circle. Despite starring Harry Potter...
Like a Record Round: Ponsoldt Spins the Wheels with Silly Tech Thriller
James Ponsoldt launches uneasily into mainstream studio territory with the internet thriller The...
Director Tom Tykwer’s international co-production A Hologram for the King unfortunately failed to generate much buzz following its premiere at the 2016 Tribeca Film Festival...
Same as it ever Was: Tykwer’s Unwieldy Intersection of Commerce and Culture
We’ve seen an increasing amount of films featuring Americans floundering about in the...
A Bridge Too Far: Spielberg Gets Chilly with Cold War Curiosity
We’re used to seeing Steven Spielberg’s penchant for WWII recuperations, whether it be via...
A Hologram for the King
Director: Tom Tykwer// Writer: Tom Tykwer
Primarily known for his famed 1998 title Run, Lola Run, which shot actress Franka Potente...
Sugartime: Hancock Syrupy Recount Gets the Disney Dress Up
There’s a fascinating story lurking somewhere in John Lee Hancock’s Saving Mr. Banks, but it’s relegated...