Tag: Viola Fügen
Mother’s Baby | 2025 Berlin Intl. Film Festival Review
Look What’s Happened to Rosemary’s Baby: Moder Repeats Motherhood Horrors
A palpable, instinctual fascination with the potential horrors of pregnancy are exactly why neonatal dread...
Harvest | 2024 Venice Film Festival Review
Sheep, Sheep, Sheep: Tsangari’s Monotonous Treatise on Modernization
Adapted from a novel by Jim Croce, Harvest is Greek auteur Athina Rachel Tsangari's third feature narrative,...
Scarlet (L’Envol) | Review
Come Sail Away: Marcello Runs Aground in Muddled Adaptation
Pietro Marcello returns to literature for inspiration in his third narrative feature (and French language debut),...
Interview: Francisca Alegria, Mia Maestro & Leonor Varela – The Cow Who Sang a Song Into the Future
Francisca Alegria’s The Cow Who Sang a Song Into the Future is unlike any other experience offered by Sundance ’22: a deeply moving onscreen...
Never Gonna Snow Again | Review
Intimate Strangers: Szumowska & Englert Explore Despondency & Isolation
Our innate capacity for constructing the vehicles of our own alienation and ennui inform the backdrop...
Martin Eden | Review
The Working Class Goes to Heaven: Marcello Retrofits London’s Ruminations on Superficial Social Status
Pietro Marcello brings his unconventional sensibilities to new heights with Martin...
2019 Cannes Critics’ Panel: Day 11 – Marco Bellocchio’s The Traitor
Master filmmaker Marco Bellocchio returns to Cannes (he was last there for 2016’s Sweet Dreams - a Directors’ Fortnight entry) for what will be...
The Traitor | 2019 Cannes Film Festival Review
Witness for the Prosecution: Bellocchio Delivers Vigorous Portrait of the Man Who Took Down the Cosa Nostra
Italian auteur Marco Bellocchio, on the verge of...
Daughter of Mine | Review
Miss Mom: Bispuri Challenges Family Symmetry in Captivating Sophomore Pic
With her sensory filled coming-of-age sophomore feature, Laura Bispuri navigates the sweet and sour voyage...
Audio Interview: Laura Bispuri – Daughter of Mine (Figlia mia)
Day 4 at the Berlinale provided a gem of a film in provenance of the Mediterranean Sea's second largest island. The focal point of...
Top 150 Most Anticipated Foreign Films of 2019: #32. The Traitor – Marco Bellocchio
The Traitor
Italian auteur Marco Bellocchio, whose radical early works were a seminal part of 1960s and 1970s Italian cinema, embarks on his latest feature...
Top 150 Most Anticipated Foreign Films of 2019: #50. The Invisible Life of Euridice Gusmao (A Vida Invisível) – Karim Aïnouz
The Invisible Life of Euridice Gusmao (A Vida Invisível)
It’s been five years since the last narrative feature from Brazil’s Karim Aïnouz, but he’ll finally...
Top 150 Most Anticipated Foreign Films of 2019: #65. Martin Eden – Pietro Marcello
Martin Eden
Italian director Pietro Marcello tackles Jack London’s 1909 novel Martin Eden for his second narrative feature. Although various television versions have been made,...
2019 Sundance Film Festival Predictions: #66. Ritesh Batra – Photograph
Post The Lunchbox fame (his well traveled Film Fest favorite which was also shown at Sundance in 2014), Ritesh Batra hit a creative cluster mark with Our Souls...
Interview: Samuel Maoz – Foxtrot
It's been almost a full decade since Venice Golden Lion 2009's Lebanon (check out our 2009 interview), so it was with considerable anticipation and curiosity as...
Video: Samuel Maoz’s Foxtrot: 2017 TIFF Post Screening Q&A
Among the fivesome of nominees for Best Foreign Language Film for this weekend's Oscars, Foxtrot finally makes its way into theatres this weekend via Sony Pictures Classics...
