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Cannes 2009 Day 2: Rumor Mill is a Plus in Mathias Gokalp's Rien de Personnel

Posted by Eric Lavallee on May 14, 2009
Source: IONCINEMA.com

To put it simply, Rien de Personnel (the opening film for the 48th edition of the Critic's Week) is a sophisticated film that really only gets going in the final act, which is sort of the point of Mathias Gokalp and Nadine Lamari's screenplay. Shot in one location, the story takes place during the course of one evening, where employees of a drug company sip on cocktails and start worrying about their own future with the company as rumors circulate that it is up for sale. Told via the vantage point of several of these workers, Gokalp creates a Gosford Park-like scenario where gossip spreads like wildfire and he reuses the same footage over and over again by increasing the length and further adding details as to the true cause and effects. What occurs is that our perceptions of who these characters really are changes over time. Think the game of clue without a murder. The entire team were on hand to present the film.

Mathias Gokalp Rein de Personnel

Five years ago Mathias Gokalp had the rare pleasure of presenting a short film of his in both the Director's Fortnight and Critic's Week section. Rezo Films were backing his project.  

Jean-Pierre Darroussin Rien de Personnel

Jean-Pierre Darroussin came to the same section last year with Les Grandes Personnes - I guess he likes attaching himself to projects from first time directors.

Melanie Doutey Rien de Personnel

Not a popular face with North American audiences, Melanie Doutey played in Claude Chabrol's The Flower of Evil.

Pascal Greggory Rien de Personnel

Veteran actor Pascal Greggory: La vie en rose, The Page Turner, Gabrielle.



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Zeina Durra

Zeina Durra

My casting director suggested her and I went to Paris to meet her. She loved the script and she's an amazing actress so of course I wanted to work with her. Playing an artist is very hard as it can come of as super fake, but Elodie is an artist in real life and that translated. Who doesn't like Dream Life of Angels?!

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Up to 400 films are shown every year as part of the Berlinale's public programme, the vast majority of which are world or European premieres. Films of every genre, length and format can be submitted for consideration. The Berlinale is divided into different sections, each with its own unique profile: big international movies in the Competition, independent and art-house productions in Panorama, movies specially for a young audience in the Generation section, the most exciting German cinema productions in Perspektive Deutsches Kino, an in-depth look at films from “distant” countries and experimental forms in the Forum, as well as an investigation of diverse cinematic possibilities in the Berlinale Shorts. The programme is rounded off by a thematic Retrospective and a Homage, which focuses on the lifework of a great cinema personality. Both of these sections, which are curated by the Berlin Film Museum, aim to place contemporary cinema within a historical context.


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