Tag: Dan Wechsler

Interview: Lisandro Alonso – Eureka

It would be the longest hap between films and certainly his most ambitious project to date (it was rumored to span all the continents...

Rimini | Review

Bravo New World: Seidl Returns with Desolate Portrait of Fallen Hustler There’s always a healthy thread of humor lurking under the despair of Ulrich Seidl’s...

Petrov’s Flu | Review

Delirium Tremens: Serebrennikov Maddens with Post-Soviet Magical Realism Historically, Russian cinema (and literature) always tends to go for broke. Challenging narratives, endless characters, and opulent...

Divine Love | Review

Mighty Aphrodite: Mascaro’s Second Coming Cloaked in Complex Allegory The Immaculate Conception remains one of the notorious suspensions of disbelief in Christian folklore, and Brazilian...

Echo | 2019 Locarno Film Festival Review

The Last Word: Rúnarsson Sketches Mosaic of Modern Iceland in Varied Vignettes Had each of the 56 segments of Echo, the third film from Iceland’s...

Daughter of Mine | Review

Miss Mom: Bispuri Challenges Family Symmetry in Captivating Sophomore Pic With her sensory filled coming-of-age sophomore feature, Laura Bispuri navigates the sweet and sour voyage...

Audio Interview: Laura Bispuri – Daughter of Mine (Figlia mia)

Day 4 at the Berlinale provided a gem of a film in provenance of the Mediterranean Sea's second largest island. The focal point of...

Top 150 Most Anticipated Foreign Films of 2019: #46. Divine Love – Gabriel Mascaro

Divine Love Brazilian director Gabriel Mascaro’s third feature, Divine Love (previously known as Overgod) has been highly anticipated ever since his 2015 breakout Neon Bull (read...

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April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in...

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...

The Shrouds | Review

Death Be Not Shroud: Cronenberg Hits Dead Ends in...