Unless Venice pulls the carpet from underneath them, Ladj Ly won't following Golden Lion comp preemed/penned Athena by Les Indésirables (aka Bâtiment 5). Instead,...
Memoria
Produced by Diana Bustamante, Julio Chavezmontes, Charles de Meaux, Simon Field, Keith Griffiths, Michael Weber
Directed by Apichatpong Weerasethakul
Written by Apichatpong Weerasethakul
Starring: Tilda Swinton, Jeanne...
Memoria
Produced by Diana Bustamante, Julio Chavezmontes, Charles de Meaux, Simon Field, Keith Griffiths, Michael Weber
Directed by Apichatpong Weerasethakul
Written by Apichatpong...
Comédie humaine
France’s Xavier Giannoli scored a sleeper hit with 2018’s supernatural tinged drama The Apparition starring Vincent Lindon (scoring a Cesar nod for newcomer...
Polish auteur Pawel Pawlikowski ascends to the Criterion Collection with his 2018 success Cold War, which competed at Cannes (winning him Best Director), and...
The Most Important Thing is to Love: Pawlikowski Delivers Beautifully Wrought, Chilly Amour Fou
Polish auteur Pawel Pawlikowski has had a curious trek to international...
Son corps
Director: Benoît Jacquot
Writer: Benoît Jacquot
We’re still sulking over the initial plans Luca Guadagnino had for adapting Dom Delillo’s novella The Body Artist back...
On My Skin: Barraud Explores the Essence of Monstrosity
There are moments within Antoine Barraud’s sophomore feature Portrait of the Artist that tend to feel...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.