It'll be a Cannes Film Festival competition rematch alongside the critical darling (Best Director) winning competition film from the Venice Film Festival. Emilia Pérez...
The Devil and Donald Trump: Abbasi Reconstructs the Rise of a Crony Capitalist
Among the many wise observations written by nineteenth century Englishman Lord Acton,...
Kangaroo Court: Sorkin Mounts a Famous Political Trial in Sophomore Feature
A project finally brought to fruition after bouncing around in developmental hell for over...
This week’s edition of Tuesday Blus includes the following titles: Dunkirk (2017) - Warner Bros., Detroit (2017) - Twentieth Century Fox, Letter from an...
Horror Hotel: Bigelow and Boal Recount Grim Chapter of Racial Disparity
This year’s most harrowing horror movie, Kathryn Bigelow’s Detroit, happens to be based on...
Time to Time: Moverman’s Austere Portrait of Homelessness
There’s a deliberate soul-crushing methodology to Oren Moverman’s third feature Time Out of Mind (taking its title from...
I Never Served Time For My Father: Dobkins’ Middling Melodrama
Groaning beneath the weight of its desperate grandstanding for awards consideration, David Dobkins’ The Judge...