A Self-Made Man: Schleinzer Explores the Privilege of Pants
If there’s a trough line (beyond the eponymous titles) of Austrian director Markus Schleinzer’s films, it’s...
There is a lot of unpack here with the official competition offerings which consists of two international premieres and twenty world premieres for a...
The clock is ticking—it’s the eleventh hour. The Délégué général Thierry Frémaux is deep in the final throes of curating this year’s Competition lineup...
La Petite Dernière
Hafsia Herzi
Producers: June Films' Naomi Denamur and Julie Billy
World Sales: mk2
In her first pair of attempts, actress-filmmaker Hafsia Herzi has managed to...
Destroy Everything You Touch: Hoesl & Riemann Come to Conquer with Dark Satire
As ABBA once succinctly stated, “Money, money money/Must be funny/In a rich...
Markus Schleinzer’s second feature Angelo (review) has had a long life on the festival circuit, premiering in Toronto (Platform section 2018) and giving wide...
The Moor the Merrier: Schleinzer Returns with Incendiary Portrait of Indentured Servitude
Austrian director Markus Schleinzer returns with his long-awaited sophomore film Angelo, a follow-up...
Angelo
Austrian director Markus Schleinzer broke into the main competition at the 2011 Cannes Film Festival with his provocative 2011 debut, Michael (which plays like...