Lost Illusions: Marre Administers Plodding Portrait of an Opportunist
“There’s nothing worse than being bored with a boring man,” according to French writer Antoine Laurain....
Anatomy of a Mime: Ozon Explores the Seduction of Indifference
Decades before Hannah Arendt introduced her concept of ‘the banality of evil,’ Albert Camus...
Witness for the Prosecution: Triet Beguiles with Knotty Crime Procedural
Justine Triet reunites with several of her Sibyl (2019) collaborators on her best film to...
Joan Verra
Director Laurent Larivière assembles a stellar cast for sophomore feature Joan Verra, headlined by Isabelle Huppert in the title role. A French-German-Irish co-production...
Winning the FIPRESCI Prize at the 2016 Venice Film Festival, and snagging two Cesar nominations (for actress Judith Chemla and costume designer Madeline Fontaine),...
When a Potiche Ascends the Stairs: Brizé’s Winning, Textured de Maupassant Adaptation
Although cinematic adaptations of French writer Guy de Maupassant still occur with some...
The Wandering
Director: Guillaume Nicloux
Writer: Guillaume Nicloux
Shortly after premiering his latest film Valley of Love at the 2015 Cannes Film Festival, Guillaume Nicloux very quietly...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.