Projects from Bangladesh, Burkina Faso, Cambodia, Ecuador, Lebanon, Malaysia, Philippines, Senegal, and Turkey and up-and-comers Ana Cristina Barragán, Amanda Nell Eu and Lara Zeidan...
Meet the next generation of American indie producers in fiction and the docu field. Today the Sundance Institute announced the producers selected for the...
Making more and more inroads into auteur world cinema with the likes of Fernando Eimbcke, Michel Franco and Lance Hammer, Greenwich Entertainment have now...
Fighting off the selection committees for Venice, Toronto and San Sebastian, artistic director Giona A. Nazzaro unveiled the line-up for the 79th edition of...
Steal Big, Steal Little: Grozeva & Valchanov Deliver Just Deserts
It’s difficult not to feel a sense of schadenfreude in following the drastic downfall of...
You’ll (Dis)Like My Mother: Mengel Mars a Celebration
With his directorial debut The Guest, director Mads Mengel seems to have turned to the manifesto of...
Production is set to begin next week on a remarkable twenty-fifth feature film for French filmmaker François Ozon. The Cineuropa folks report that Ozon...
She’s Come Undone: Mack Concocts an Empathetic Chaos
It’s clear from the opening moments of Jan-Eric Mack’s narrative debut A Happy Family the title is...
The Venice Production Bridge have unveiled the projects lining up the Venice Gap-Financing Market and we find auteurs such as Mexican filmmaker Lila Avilés,...
Costa Brava, Lebanon's Mounia Akl, Everybody Loves Jeanne's Celine Devaux and The Mysterious Gaze Of The Flamingo's Diego Céspedes are among the baker's dozen...
Fresh off the acclaimed Berlinale premiere of his third feature, Rose (hands down was among read our glowing review), Austrian filmmaker Markus Schleinzer is...
Following its Un Certain Regard premiere at Cannes, Manuela Martelli’s sophomore feature The Meltdown (El Deshielo) has landed at Kino Lorber, marking a renewed...
Some Cannes Film Festival alumni in Kira Kovalenko, Monia Chokri and Camille Vidal-Naquet have landed important coin for their upcoming feature film projects via...
Showing no signs of slowing down with the output of Charlatan (2020), Green Border (2023), and Franz (2025) this decade, Agnieszka Holland is entering...
The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in Moral Fable
What’s most interesting about director Michel Hazanavicius are his valiant attempts at dabbling in...
Blood Relatives: Simon Treads Familiar Water with Continued Autofiction
After winning the Golden Bear at the Berlin Film Festival for her 2022 sophomore film Alcarras,...
Rebecca Marder, recently seen in Ozon’s The Stranger, Nadia Melliti, who captured the Cannes Best Actress prize for La petite dernière, and Antoine Reinartz...
IONCINEMA.com’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all...
The jury of Leila Bekhti and peers Thomas Cailley, Angele Diabang, Laura Samani, and Lebanese composer Khaled Mouzanar handed out the prizing for the...
The Lost Daughter: Herzi Passes Up Potency in Standard Adaptation
“My name is Fatima,” is one of the constant refrains utilized in Fatima Daas’ celebrated...