Burn After Filming: Büyükatalay Explores Colliding Perspectives in Nuanced Drama
While it can’t be described as a classic thriller, Mehmet Akif Büyükatalay’s sophomore film Hysteria...
Murmur of the Heart: Serraille Conquers Indifference Through Sincerity
With her third feature, Ari, director Léonor Serraille confirms a clear pattern of interest in exploring...
Devil May Care: Bucio’s Tantalizing Premise Fizzles Out
With an enigmatic premise and a formidably morbid title, Ernesto Martinez Bucio’s debut The Devil Smokes...
Before Jeff Nichols took the indie film world (with Take Shelter) by storm—both literally and figuratively—he made his mark with Shotgun Stories (premiered at...
The Eternal Daughter: Lenkiewicz Ladles the Milk of Sorrows
Screenwriter Rebecca Lenkiewicz makes her directorial debut with Hot Milk, an adaptation of Deborah Levy’s comically...
The History of Sound, the highly anticipated feature love story featuring Paul Mescal and Josh O’Connor has found a home. Oliver Hermanus who directed...
Sister, My Sister: Fischer Tests the Moral Fibers of Familial Bonds
An ethical dilemma curdles in the heart of Sarah Miro Fischer’s directorial debut Schwesterherz...
Circles of Perfection: Djukić Surveys the Compromises of Sexual Awakening
Taking its title from the 1995 Sonic Youth track Little Trouble Girls (Kaj ti je...
Sofie, Homemaker: Petersen Banks on Undervalued Emotional Labor
Danish director Frelle Petersen’s latest title Home Sweet Home (Hjem kaere hjem) aims to showcase the significant...
Wasting Electricity: Tykwer Illuminates a Narrative Void
Despite revealing itself to be an interconnected rumination on aspects of the soul, Tom Tykwer’s Das Licht (The...
Marking his second decade as a film producer, I had the opportunity to sit down with Montreal-based Sylvain Corbeil at the 2024 Marrakech International...
After premiering his debut feature Oray at the Berlinale in 2019 with Oray (winner of the best first feature award), German-based filmmaker Mehmet Akif...
The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of a Lady
It’s unfortunate no one’s as likely to be infatuated with the eponymous Parthenope (pronounced...
A touching, sober, political and poignant text on femicide, Mexican filmmaker Natalia León's debut Como si la tierra se las hubiera tragado plunges us...
Ripe Fruits: Kanawade Taps the Bittersweet Rind of Going Home Again
While there’s been an uptick in contemporary LGBTQ+ films from India over the past...
All DJs, Great and Small: Unkovski’s Debut Can’t Stop the Music
While its location might feel inherently unique, the happenings in Georgi M. Unkovski’s narrative...
One of the only two films selected for the Spotlight section (films that have premiered elsewhere on the festival circuit), Georgian filmmaker Dea Kulumbegashvili...
A Poison Tree: Khatami Deconstructs the Psychoses of Patriarchy
For his third feature, Iranian American director Alireza Khatami formulates a powerful psychodrama unspooling through the...
Nineteen features in competition, Artistic Director Tricia Tuttle loaded up on some mainstay auteurs with the likes of Richard Linklater, Michel Franco, Hong Sangsoo,...
Still Missing: Salles Returns with Survivors of the Dictatorship
“The dictatorship’s mistakes was to torture but not kill,” former Brazilian president Jair Bolsonaro proudly claimed...
Woman of Substance: Fargeat Rejuvenates Body Horror with Pulpy Parable
To borrow a succinct phrase from Beyonce, ‘pretty hurts,’ a sentiment quivering through Coraline Fargeat’s...
After her break-out female empowerment portraits in the Cannes Un Certain Regard selected Papicha (2019) and Houria (2022), Franco-Algerian filmmaker Mounia Meddour is moving...
A Different Man pairing of Renate Reinsve and Sebastian Stan will resurface once again for 2026 with Romanian master filmmaker Cristian Mungiu moving over...
Quentin Dupieux had enlisted alumni Adèle Exarchopoulos and then add-ons Sandrine Kiberlain and Karim Leklou for L'Accident de piano (formerly L'Avant-dernière séance). As per...
Selected for TIFF's Platform section (Toronto's only competition section), French-born filmmaker Nora El Hourch pulled from some of her own narrative for her high...