Absurdist auteur par excellence, Quentin Dupieux has thrown us some clapperboard proof that Kristen Stewart, Woody Harrelson, Emma Mackey, Charlotte Le Bon, Nassim Lyes,...
Hirokazu Kore-eda has a penchant for bringing things to life. The Japanese filmmaker has reanimated lifeless objects and souls who've lost their way, and...
ARTE France Cinéma made their usual fall announcement of projects they'll be backing and among the quartet of projects that includes Emmanuel Mouret (Le...
IONCINEMA.com’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all...
RT Features' Rodrigo Teixeira is backing another book-to-film project this time with Rojo filmmaker Benjamín Naishtat. Variety reports that the Argentinean filmmaker will adapt...
Currently at the San Sebastián International Film Festival where she premiered the under-the-radar (soon to bee released on Netflix) Limpia (which is inspired by...
Léa Seydoux will topline the much anticipated drama by Corsage (read review) helmer Marie Kreutzer. Deadline reports that production will begin anytime soon on...
Among the thirteen first and sophomore film offerings in the New Directors competition at the San Sebastián International Film Festival (the fest begins today)...
With the October 1st deadline fast approaching, the field for the Academy Award's Best International Feature Film is narrowing. Only a few key contenders...
The Power of Goodbye: Messina Gets Maudlin with Future Grief
The devil’s unfortunately absent in the details of Another End, a conceptual science fiction melodrama...
One Sings, the Other Doesn’t: Hermanus Plays a Tune for the Broken Hearted
“Happiness doesn’t tell stories,” is a sage observation uttered in The History...
Love on the Brain: Haugerud Caps Trilogy with Teenage Wasteland
With his latest film Dreams (Sex Love) (aka Drømmer), the final installment in his thematic...
Investigation of a Suspicious Citizen: Maresco Salvages Cinema
“I am not interested in any filmmaker. I am not even interested in my own films…” said...
The verdict is in. The Alexander Payne-led jury has made its decisions, determining the fate of this year's Venice Film Festival competitors. While last...
Karma Police: Misery Loves Company in Shangjun’s Dreary Love Story
If love means never having to say you’re sorry, they never experienced the magnitude of...
Allegory of the Tree: Enyedi’s Masterful Meditation on Human Progress
The metaphorical subtexts germinating to fruition through Ildikó Enyedi’s Silent Friend are formidable, even as,...
Memories of Murder: Di Costanzo Treads Criminal Motives
The impetus behind Elisa, the latest from Italian director Leonardo Di Costanzo is pregnant with intrigue, examining...
Road to Perdition: Pablos Charts a Brutal Journey to Redemption
Solidifying himself as the queer counterpart to Michel Franco, David Pablos' On the Road features...
Distress Becomes Her: Marcello Delivers a Diva’s Final Act
For many, Duse, the latest feature from Italian director Pietro Marcello, will serve as their introduction...
Anatomy of a Mime: Ozon Explores the Seduction of Indifference
Decades before Hannah Arendt introduced her concept of ‘the banality of evil,’ Albert Camus...
Shake It Up: Fastvold Envisions the Life’s Work of a Religious Leader
There’s a fervor roiling beneath the surface of Mona Fastvold’s third feature, The...
A Demon in My View: Koussim Unleashes a Djinn
A generation spanning possession is at the heart of Roqia, the directorial debut from Algerian director...
Terms of Estrangement: Jarmusch’s Amusing Triptych on Familial Labors
If each unhappy family is unhappy in their own way, there are still a wide variety...
The Russians Are Killing the Russians Are Killing: Assayas Bungles Political Espionage
Of the many significant issues severely hobbling The Wizard of the Kremlin, the...
No Man is an Island: Aris Explores Childhood, Couplehood and Parenthood with Flip Book Speeds
Lebanese filmmaker Cyril Aris utilizes the three distinct yet related...
The Female of the Species: Kalogiropoulou Hits the Gas in Brooding Debut
How, exactly, does a powerful woman command the patriarchy? It turns out, only...
Closely Watched Strain: Perretta Reflects Traumatic Coming-of-Age
There’s a bleak fatalism apparent in Ish, the directorial debut of visual artist Imran Perretta, named for its...
Staples of Naples: Rosi Sifts Through Timeworn Sediments
The past informs the present of modern day Naples in Below the Clouds, the latest documentary from...
Slay the Competition: Chan-wook Explores the Horrors of Capitalism
In many ways, Donald Westlake’s 1997 novel The Ax feels more relevant than ever, which is...
No Child Left Behind: Mincan Explores a Nation That Stood in Silence
Perhaps more terrifying than the high-seas stowaway trip from hell (2022’s To the North),...
Declaration of Poor: Donzelli’s Tone Deaf Survey of a Starving Artist
Despite honorable intentions, it’s difficult not to perceive Valérie Donzelli’s latest feature, At Work...
I Will Be Your Father Figure: Nemes Paints Period Paternity Thriller
Hungarian director László Nemes essentially rounds out a thematic trilogy with his third film...
A Penance for Your Thoughts: Nvotová Jumps into Void without Societal Parachutes
For her third feature, Father (Otec), Slovak filmmaker Tereza Nvotová delivers a psychologically immersive portrait...
Death Be Not Loud: Deruas Kills a Teen Dream in Languid Period Piece
With her sophomore directorial feature Stereo Girls, Caroline Deruas Peano continues down...
Slack Narcissus: Mitevska Conjures the Psyche of a Saint
There are a handful of contemporary historical figures whose accomplishments have superseded cultural critique thanks to...