A competition filmmaker mainstay, Kirill Serebrennikov has been downgraded to the Cannes Premiere section for the world premiere to The Disappearance of Josef Mengele....
The Traveler Has Come: Huppert Shines in Latest Collaboration with Sang-soo
There are few directors who seem to rightly channel the comic side of Isabelle...
Filmmakers Kantemir Balagov, Cristian Mungiu (both currently in production) and Albert Serra are among the wave of filmmakers receiving significant coin via the Eurimages...
Last week we updated our readers with the exciting news that award-winning cinematographer Jomo Fray was among the chief crew onboard Kantemir Balagov's third...
Best known for last year's surprise Sundance breakout Ghostlight (but we took notice back with 2019's tragicomedy Saint Frances - the SXSW competition section...
Russian filmmaker Kantemir Balagov is getting set to move into production on his highly anticipated third feature film Butterfly Jam. Earlier this year having...
Mining the same harrowing history as his Chilean and Latin American contemporaries (more recently El Conde) — from Argentina to Uruguay, Paraguay and beyond,...
Another vital writer's retreat on the film festival circuit unveiled their invites today - Italy’s TorinoFilmLab (TFL) selected a sweet sixteen film project for...
The Cannes Film Festival's La Résidence is welcoming Flóra Anna Buda, Andrea Gatopoulos, Xiwen Cong, Simon Maria Kubiena, Constance Tsang and Rodrigo Ribeyro to...
La Petite Dernière
Hafsia Herzi
Producers: June Films' Naomi Denamur and Julie Billy
World Sales: mk2
In her first pair of attempts, actress-filmmaker Hafsia Herzi has managed to...
Smells Like Entrepreneurial Spirit!: Courvoisier Climbs Up the Totone Poll
In her directorial debut, Louise Courvoisier delves into themes of altruism and resilience, navigating a...
After putting out our predictions for the Critics' Week, Directors' Fortnight and Un Certain Regard programmes we now look at the Cannes Premiere section....
In the inaugural year of his mandate, Directors' Fortnight (aka Quinzaine des cinéastes) Artistic Director Julien Rejl could point to Caméra d'Or Award winning...
Not unlike the Sundance labs or Cannes residencies, Le Groupe Ouest’s is another high profile support programme for writers and as per usual they've...
Forever Noor: Palud’s Schneider Moves From Being a Passenger to Just Saying Non
Since the advent of cinema, it’s been standard operating procedure for the...
Love Like This Before: Sims-Fewer & Mancinelli Examine the Ethics of Love
Canadian filmmaking duo Madeleine Sims-Fewer and Dusty Mancinelli follow up their disturbing 2020...
Into the Woods: Lesage Explores Wounded Masculinities
In Vincent Sherman’s 1943 Bette Davis-led melodrama Old Acquaintance, the complex relationship between a pair of female frenemies...
Yesterday, we explored the creative futures for sixteen filmmakers who received nominations in the most prominent categories at this year's Oscars. For many of...
She rose to major prominence when she was showcased at the Cannes Film Festival's Un Certain Regard section with 2022's Corsage (read review), and now...
Sarah Friedland’s Venice Film Festival prize-winning grand slam debut Familiar Touch is set to open the 54th edition of New Directors/New Films (ND/NF) and...
The Satire Strikes Back: Dumont Claims His Own Multi-Verse
It’s sometimes difficult to predict what mode French auteur Bruno Dumont will be choosing for his...
Born to Die: Joon-ho Beguiles with Irreverent Sci-Fi Socio-Satire
After significant delays, Bong Joon-ho’s highly anticipated Mickey 17 at last arrives with all his signature...
Emilia Pérez won Best Film, Best Director, Best Adapted Screenplay, Best Sound, Best Original Music, Best Special Effects and Best Cinematography at the 50th...
War & Fleece: Seyyedi’s Swiftly Shifting Satire Explores the Corrupting Nature of Power
In one of the most unromanticized depictions of the filmmaking process, Iranian...