Tag: 2016 Toronto Int. Film Festival

Zoology | Blu-ray Review

Russian director Ivan I. Tverdovsky became an automatic name in the cult films register with his 2016 sophomore film Zoology, an allegory about a...

Interview: Bertrand Bonello (Nocturama)

We sat down with Bertrand Bonello shortly after the North American premiere of his controversial new film Nocturama, which competed at the 2016 Toronto...

Message from the King | Review

To Live and Die in LA: Du Welz Explores the Los Angeles Underbelly in Revenge Noir Belgian auteur Fabrice Du Welz makes his English language...

Planetarium | Review

Night of the Shooting Stars: Zlotowski’s Mysterious Glance at a World on a Wire As one character observes to another upon a chance reunion in...

The Untamed | Review

The Pleasure Principle: Escalante Makes a Monster Mash with Distinctive Social Drama The shadow of Andrzej Zulawski’s infamous erotic creature feature/divorce melodrama Possession (1981) looms...

The B-Side: Elsa Dorfman’s Portrait Photography | Review

Big Pictures Worth A Thousand Words: Morris and Dorfman Dig Through The Archives Errol Morris’s interest in still photography is no secret, having written the Penguin...

The Assignment | Blu-ray Review

It’s been an arduous journey for action auteur Walter Hill’s latest film The Assignment, a B-grade schlocky piece of grindhouse pulp which has been...

Abacus: Small Enough to Jail | Review

Financial Risk: Steve James Banks on Chinatown Community Bank and Finds Political Returns Steve James has a habit of sticking up for the little guy, as...

Colossal | Review

Seoul of the Matter: Vigalondo’s Environmental Impact Creature Feature Unique but Wonky Spanish director Nacho Vigalondo scores major points for ambition and uniqueness in his...

The Assignment | Review

A Dish Best Served Bold: Hill’s Revenge-Thriller a Sleazy Mix of Action and Body Horror Grindhouse groupies will have something to celebrate with the latest...

Jackie | Review

The Safety of Objects: Larrain Revisits Traumatic Chapter of Iconic First Lady There have been very few First Ladies either before or after Jacqueline Kennedy...

Arrival | Review

Future Perfect: Villeneuve Crafts a Poetic Close Encounter Using language and communication as a fertile metaphor, Denis Villeneuve situates complex ideas into streamlined composition with...

Into the Inferno | Review

Herzog And The Goblets of Fire: Following In The Volcanic Footsteps Of Katia and Maurice Krafft Who could have imagined more fitting new subject matter for...

Moonlight | Review

When the Rainbow is Enuf: Jenkins Returns with Exceptional, Moving Character Portrait It’s been eight years since indie filmmaker Barry Jenkins debuted his exceptional directorial...

Amanda Knox | Review

Foxy Knoxy Rides Again: McGinn & Blackhurst Take On Murder Media Circus With Elegant True Crime Saga Sometimes the preferred version of a song might actually be a...

JT + The Tennessee Kids | 2016 Toronto Int. Film Festival Review

Demme & Timberlake Don Suit & Tie In Masterful 20/20 Experience Concert Doc It’s been 32 years since Jonathan Demme immortalized David Byrne and the...

The Conversation: Jenkins’ Moonlight, Escalante’s The Untamed & the Totality of TIFF ’16

As far as the matter of size goes, the Toronto International Film Festival continues to astound, with close to 300 plus titles amassed for...

TIFF 2016: Jordan M. Smith’s Top Five Documentaries

In a blur of motion in the dark, another TIFF has already come and gone. Of the 296 features offered this year, I managed...

Frantz | 2016 Toronto Int. Film Festival Review

The Guest Who’s Coming to Dinner: Ozon’s Period Culture Clash a Handsome, Uninvolving Production In many ways, Francois Ozon’s output still swings jaggedly between the...

Indivisible | 2016 Toronto Int. Film Festival Review

It Takes Two: De Angelis Crafts Distinctive Neapolitan Drama on Siamese Twins Siamese twins have always made alluring subjects for the cinema, whether at the...

Hermia & Helena | 2016 Toronto Int. Film Festival Review

Like so many other filmmakers from around the world, the Buenos Aires born writer/director Matías Piñeiro has found himself straddling borders with his latest...

The Dreamed Path | 2016 Toronto Int. Film Festival Review

Scenes from a Fugue State: Schanelec Returns with Abstract Continuum of Dissolved Relationships “I don’t know where to put myself,” says a character at one...

City of Tiny Lights | 2016 Toronto Int. Film Festival Review

Farewell, My Lovely: Travis Tries Urban Neo Noir in Prosaic Adaptation One gets the sense the source novel by Patrick Neate is a bit more...

The War Show | 2016 Toronto Int. Film Festival Review

Demonstrating To Breathe: Heartbreaking Spiral Into Syrian Oblivion Moves in Micro-Operatic Movements Syria and the Arab Spring are not exactly new subjects for a documentary...

Orphan | 2016 Toronto Int. Film Festival Review

Woman Thou Art Loosed: Des Pallieres Disorientates with Fractured Character Portrait Between constantly shifting time periods and abrupt transitions from one clutch of characters to...

Zoology | 2016 Toronto Int. Film Festival Review

Tale of Tails: Tverdovsky’s Myopic Modern Fable Chases Its Own Tail Zoology. You ask, what does it mean? For the purposes of Ivan Tverdovsky’s sophomore...

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