Tag: 2022 Berlin International Film Festival
Robe of Gems | Review
Trojan Women: Lopez Crafts Collage of Complicity in Stellar Debut
For her directorial debut Robe of Gems (Manto de gemas), Natalia López Gallardo resists expectations...
Interview: Natalia López Gallardo – Robe of Gems (Manto de Gemas)
Largely known as a film editor for having worked with partner Carlos Reygadas on 2007 masterwork Silent Light and with further collaborations with the...
Return to Dust | Review
The Good Earth: Ruijun Crafts Poignant Portrait of Transformative Love
Director Li Ruijun returns to familiar themes in his sixth feature, Return to Dust, a...
Nobody’s Hero (Viens je t’emmène) | Review
We Don’t Need Another Hero: Guiraudie Gets Kooky in Political Comedy of Errors
Alain Guiraudie migrates from rural perversity to urban calamity in the comically...
Rimini | Review
Bravo New World: Seidl Returns with Desolate Portrait of Fallen Hustler
There’s always a healthy thread of humor lurking under the despair of Ulrich Seidl’s...
Alcarràs | Review
Peach Be With You: Simon Harvests Bitter Reality in Solid, Steady Family Drama
Returning to the rural experiences which defined her 2017 debut Summer of...
Peter von Kant | Review
Save Your Tears for Another Day: Ozon Revels in the Camp Mystique of R.W. Fassbinder
It’s clear François Ozon has long been obsessed with the...
Both Sides of the Blade | Review
Lover Come Back: Denis Lets the Dark Side in Relationship Melodrama
Three’s definitely a crowd in Both Sides of the Blade (Avec amour et acharnement),...
Happiness (Baqyt) | 2022 Berlin International Film Festival Review
Let the Sunshine In: Uzabayev Drags Us Through the Wretched Realities of Violence Against Women
The knee-jerk response to the agonizing experience of watching a...
À propos de Joan (About Joan) | 2022 Berlin International Film Festival Review
Ladies They Talk About: Larivière Utilizes Huppert in Shaky Melodrama on Loss & Love
For his sophomore film À propos de Joan (About Joan), Laurent...
A Piece of Sky (Drii Winter) | 2022 Berlin International Film Festival Review
Poor Cow: Koch Devises Solemn Melodrama of a Tortured Romance
Delivering a steady handed narrative as full of sincerity as it is austerity, Swiss director...
AEIOU – A Quick Alphabet of Love | 2022 Berlin International Film Festival Review
The Consonants of Love: Krebitz Gets Caught in an Odd Romance
“It all begins with A,” so begins the omniscient third-person narration of Anna, an...
La ligne | Review
Fists Out of Pocket: Meier Mines Superficial Dysfunction with Uneven Comic Melodrama
Although she’s been working on a variety of documentary and short projects, not...
Incredible But True | 2022 Berlin International Film Festival Review
Beauty Secrets: Dupieux Latest a Strangely Tragic Fable on Human Foibles
The films of Quentin Dupieux, a prolific Belgian director who has spent most of...
2022 Berlinale: Seidl, Sangsoo, Hers, Meier, Taviani, Denis Cote & Clare Denis in Golden Bear Comp
Several of the names that figured in our most anticipated list and a new Hong Sangsoo project (The Novelist’s Film) are among the eighteen...