Tag: Anne Hathaway

2024 Sundance Film Festival Predictions: Benoît Delhomme’s Mother’s Instinct

Another one of those titles that felt more than ready for a 2023 drop, that could be plopped a bit anywhere next year --...

2024 Sundance Film Festival Predictions: Michael Showalter’s The Idea of You

He already has a history with Park City having premiered 2014's They Came Together (which he wrote) and The Big Sick which panned out...

She Came to Me | Review

Guilty of Romance: Miller Weaves a Wacky and Disarmingly Charming Love Tapestry To those who think the possibilities of heartfelt romantic comedies dried up in...

Armageddon Time | Review

A Great White Hype: Gray Explores the Farce of the American Dream in Coming of Age Portrait Where are we going? Where have we been?...

Locked Down [Video Review]

Tell-Tale Hearts: Liman Conjures a Time Capsule in Curious Cinematic Exercise As cinematic content continues to unspool through premiering projects completed prior to the start...

The Witches | Review

Witch Kitsch: Zemeckis Dons Dahl in Revamp of Stylish Cult Classic Thirty years ago, Nicolas Roeg, one of cinema’s most innovative cinematographer-turned-auteurs, adapted the 1983...

2020 Sundance Film Festival: Miranda July, Julie Taymor, Dee Rees & Sean Durkin in the Premieres Section

The most acquisitions and distributor launch-pad friendly section of the festival, the Premieres category had some big ticket items in Nisha Ganatra's Late Night,...

Dark Waters | Review

Far From Heaven: Haynes Mounts Modest Environmental Drama In the oft-prestigious subgenre of environmental thrillers, particularly those detailing the grossly inhuman actions of powerful...

Top 100 Most Anticipated American Independent Films of 2019: #12. Todd Haynes’ Dry Run

Dry Run Todd Haynes as certainly been enamoured by the iconoclast set of glam rockers to folk artists, but he might be actually aiming for...

Top 100 Most Anticipated American Independent Films of 2019: #16. Dee Rees’ The Last Thing He Wanted

The Last Thing He Wanted With Mudbound certifying her prowess (and the promise of her 2011 micro indie portrait in Pariah) Dee Rees moved onto...

Colossal | Review

Seoul of the Matter: Vigalondo’s Environmental Impact Creature Feature Unique but Wonky Spanish director Nacho Vigalondo scores major points for ambition and uniqueness in his...

Top 100 Most Anticipated Foreign Films of 2016: #57. Nacho Vigalondo’s Colossal

Colossal Director: Nacho Vigalondo Writer: Nacho Vigalondo We’ve been a bit underwhelmed with Spanish director Nacho Vigalondo’s two follow-ups to his fun 2007 debut Timecrimes, those being...

Song One | Review

Title Track: Barker-Froyland’s Cloying Debut Plays Familiar Tune “Sad song at night, hipster’s delight” should be the opening line in Kate Barker-Froyland’s mournful, musically inclined...

Interstellar | Review

Don’t Let’s Ask For the Moon: Nolan’s Space Opera for the Ages At last divorcing himself from the omnipotent shadows of Batman, director Christopher Nolan’s...

Sundance 2014: Cutter Hodierne, Damien Chazelle, Kat Candler & Mona Fastvold Among Lucky 16 U.S. Dramatic Comp Selections

As I had predicted here, names such as Cutter Hodierne, Kat Candler, Maya Forbes, Mona Fastvold and Damien Chazelle would be among the invited...

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La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation...

Most People Die on Sundays | Review

A Month of Sundays: Said Squeezes Magic Out of...

The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...