Tag: Bobby Cannavale

MaXXXine | Review

A Touch of Minx: West Concludes Ersatz ‘Trilogy’ with a Moan It’s an impressive endeavor to unleash three consecutive, thematically related films within the span...

2024 Sundance Film Festival Predictions: Ti West’s MaXXXine

Sundance and SXSW programmers might be duking it out for the final part in Ti West's trilogy. Critically acclaimed horror films X (2022 -...

Blonde | Review

Eccentricities of a Blonde-Haired Girl: Dominik Explores Our Assassination of Iconicity There’s no human who’s quite bedazzled the zeitgeist like Marilyn Monroe, the most...

Thunder Force | Review

May the Force Dismiss You: Falcone & McCarthy Amuse Themselves in Latest Improv Heavy Exercise Comedy is harder than it looks, especially if one is...

Superintelligence [Video Review]

Artificial Significance: Falcone & McCarthy Go Through Motions in Brainless Comedy For some filmmakers and their muses, an entire body of output results in a...

The Irishman | Review

Benjamin Button-Man: Scorsese's Oldfellas Still Got It A spiritual sequel to Goodfellas—with the black humor of The Wolf of Wall Street and the moral...

2017 Sundance Film Festival Predictions: John Turturro’s Going Places

Curiosity factor is through the roof with this one and perhaps not all bets are off with John Turturro essentially lifting one memorable character...

Ant-Man | Review

Can’t-Man: Reed’s Marvel Entry Positions Rudd as Dubious Franchise Tangent Evidence of Marvel’s continuing imperviousness to even the most promising of fashionable script doctors is...

Spy | Review

Spy Hard: Feig’s Generally Entertaining Espionage Parody Director Paul Feig does a James Bond send-up for his latest Melissa McCarthy headlined romp, Spy. But for...

Adult Beginners | Review

Arrested Development: Katz’s Debut an Affectionate Familial Dramedy A familiar yet generally charming vehicle that impressively utilizes a pair of actors known mostly from a...

Danny Collins | Review

Dan in Real Life: Fogelman’s Sugary Directorial Debut Hobbles its Own Charms Screenwriter and producer Dan Fogelman makes a high profile directorial debut with Danny...

Chef | Review

Mostly Favreau: Actor/Director’s Return to Indie Scene a Pleasant Surprise A thinly veiled allegory for Jon Favreau’s own career, whether he consciously means it to...

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We Were Two: Jodie Foster Joins Daniel Auteuil in Rebecca Zlotowski’s ‘Vie Privée’

She's coming off a career-best with Other People's Children...

The Apprentice | Review

The Devil and Donald Trump: Abbasi Reconstructs the Rise...