Tag: Bobby Cannavale

Blue Moon | Review

The Unbearable Lightness of Seeing: Linklater Pays Homage to a Broken Hart Lorenz Hart was a lonely hunter. If you believe you haven’t heard of...

MaXXXine | Review

A Touch of Minx: West Concludes Ersatz ‘Trilogy’ with a Moan It’s an impressive endeavor to unleash three consecutive, thematically related films within the span...

2024 Sundance Film Festival Predictions: Ti West’s MaXXXine

Sundance and SXSW programmers might be duking it out for the final part in Ti West's trilogy. Critically acclaimed horror films X (2022 -...

Blonde | Review

Eccentricities of a Blonde-Haired Girl: Dominik Explores Our Assassination of Iconicity There’s no human who’s quite bedazzled the zeitgeist like Marilyn Monroe, the most...

Thunder Force | Review

May the Force Dismiss You: Falcone & McCarthy Amuse Themselves in Latest Improv Heavy Exercise Comedy is harder than it looks, especially if one is...

Superintelligence [Video Review]

Artificial Significance: Falcone & McCarthy Go Through Motions in Brainless Comedy For some filmmakers and their muses, an entire body of output results in a...

The Irishman | Review

Benjamin Button-Man: Scorsese's Oldfellas Still Got It A spiritual sequel to Goodfellas—with the black humor of The Wolf of Wall Street and the moral...

2017 Sundance Film Festival Predictions: John Turturro’s Going Places

Curiosity factor is through the roof with this one and perhaps not all bets are off with John Turturro essentially lifting one memorable character...

Ant-Man | Review

Can’t-Man: Reed’s Marvel Entry Positions Rudd as Dubious Franchise Tangent Evidence of Marvel’s continuing imperviousness to even the most promising of fashionable script doctors is...

Spy | Review

Spy Hard: Feig’s Generally Entertaining Espionage Parody Director Paul Feig does a James Bond send-up for his latest Melissa McCarthy headlined romp, Spy. But for...

Adult Beginners | Review

Arrested Development: Katz’s Debut an Affectionate Familial Dramedy A familiar yet generally charming vehicle that impressively utilizes a pair of actors known mostly from a...

Danny Collins | Review

Dan in Real Life: Fogelman’s Sugary Directorial Debut Hobbles its Own Charms Screenwriter and producer Dan Fogelman makes a high profile directorial debut with Danny...

Chef | Review

Mostly Favreau: Actor/Director’s Return to Indie Scene a Pleasant Surprise A thinly veiled allegory for Jon Favreau’s own career, whether he consciously means it to...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...