Brink of Life: Mundruczó Hunts for the Grace in Grief with English Language Debut
One of Hungary’s most prolific arthouse auteurs of the last decade...
Loosey Goosey: Hawley Gets Histrionic with Uneven Melodrama
At the end of Now, Voyager (1942) the chain-smoking Bette Davis delivers her iconic line to Paul...
Previously known for documentaries Beirut: The Last Home Movie (1987) and My Reincarnation (2011), producer and cinematographer Jennifer Fox just entered the narrative sphere....
While Jennifer Fox does indeed come from a docu-background, HBO's push towards narrative and landing the rights to The Tale (the day before we shot this video)...
Last year's section of sixteen included such gems as Beach Rats (Directing Award), Brigsby Bear, Ingrid Goes West (Waldo Salt Screenwriting Award), Golden Exits...
Not unlike Gabriela Cowperthwaite, here is the example of another female docu filmmaker who broke out at Sundance and has now climbed into fiction narrative territory....
Every Dachshund Has His Day: Solondz Provides Droll Despair
It’s been five years since we were last graced with Todd Solondz’s particular brand of muted...
All that Glitters: Barney’s Operatic, Caterwauling Art-house Epic
Those familiar with the work of Matthew Barney, namely his impressive Cremaster Cycle (2003) and Drawing Restraint...
The Town That Dreaded Showdown: Bouchareb Returns to New Mexican Landscape with Mixed Results
French director Rachid Bouchareb’s long celebrated filmography has garnered two of...
Don’t Let’s Ask For the Moon: Nolan’s Space Opera for the Ages
At last divorcing himself from the omnipotent shadows of Batman, director Christopher Nolan’s...
Busy Signals: Stone’s Aptly Named Thriller Phones It In
There is not anything innately offensive about a really decent made-for-TV thriller, especially the type based...