Tag: Rose Byrne

2026 Oscars: ‘Sinners’ Lands Most Noms, but ‘One Battle After Another’ & ‘Sentimental Value’ are the Frontrunners

It was a great morning for the folks at Warner Bros. A really solid morning. With a record-breaking sixteen nominations, Ryan Coogler's Sinners might...

2026 ICS: ‘One Battle After Another’ Finds the Rendezvous Point — Nabs Dozen Noms

Leading with a dozen noms, Paul Thomas Anderson’s One Battle After Another nunchuked the hell out of the upcoming International Cinephile Society awards landing...

2025 Gothams: Studio-Backed ‘One Battle After Another’ Takes on True Indies; Lands Six Noms

In a cinematic landscape increasingly dominated by gargantuan, risk-averse budgets, the upcoming Gotham Awards have set the stage for a compelling David vs. Goliath...

If I Had Legs I’d Kick You | Review

You’ll Like My Mother: Bronstein Lets Us Feel the Byrne Motherhood approaches the verge of the horrific in If I Had Legs I’d Kick You,...

Irresistible | Review

Elephant Walk: Stewart Dulls the Sting of Political Campaigning Hypocrisy with Broad Satire The trick of a successful satire is to highlight stupidity or hypocrisy...

I Am Mother | 2019 Sundance Film Festival Review

They Call Me Mother: Sputore Examines What It Means to Be Human in Sci-Fi Debut Australia’s Grant Sputore makes an impressive directorial debut with the...

Top 150 Most Anticipated Foreign Films of 2019: #128. I Am Mother – Grant Sputore

I Am Mother Australia’s Grant Sputore makes a high profile directorial debut with I Am Mother, a post-apocalyptic sci-fi feature produced by Kelvin Munro of...

Sundance ’18: Wash Westmoreland, Debra Granik, Gus Van Sant & Zellner Bros. In Premieres Section

Despite not expecting the Premieres sections to be drop today, several of the narrative items below were on our radar and make for what...

Video: Louis C.K.’s I Love You, Daddy – 2017 TIFF Post Screening Q&A

The pre-fest announcement that Louis C.K. had directed a project that went into production this summer and was going to be ready in September...

The Meddler | Review

Chapter Two: Scafaria Scores with Sarandon in Earnest Character Portrait Writer-director Lorene Scafaria manages her most accomplished work to date with sophomore feature, The Meddler,...

Spy | Review

Spy Hard: Feig’s Generally Entertaining Espionage Parody Director Paul Feig does a James Bond send-up for his latest Melissa McCarthy headlined romp, Spy. But for...

Adult Beginners | Review

Arrested Development: Katz’s Debut an Affectionate Familial Dramedy A familiar yet generally charming vehicle that impressively utilizes a pair of actors known mostly from a...

This is Where I Leave You | Review

This is Where I Judge You: In the Great Well of Family Drama, Levy Is Dry Based on the acclaimed novel by Jonathan Tropper, who...

Insidious: Chapter 2 | Review

When Less is More: Wan’s Sequel Does 2 Much A follow-up to 2010’s highly entertaining old-school horror throwback Insidious seemed a tall order, yet James...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.