Woman of Substance: Fargeat Rejuvenates Body Horror with Pulpy Parable
To borrow a succinct phrase from Beyonce, ‘pretty hurts,’ a sentiment quivering through Coraline Fargeat’s...
The Sway of the Sword: Reality Bytes in Poggi/Vinel's Bleak Online/Offline Portrait
Caroline Poggi and Jonathan Vinel's sophomore feature outing pulses with the heartbeat of...
Pieces of a Man: Schrader Explores Atonement in Toned Down Adaptation
Throughout his illustrious career as a director and screenwriter, Paul Schrader has specialized in...
Way of the Gun: Rasoulof’s Bold, Blunt Indictment of Iranian Regime
There’s been little opportunity for artists to clearly or critically speak truth to power...
The Big City: Kapadia Designs Lovely Portrait of Friendship and Free Will
Mumbai is a city of illusions, a character remarks in Payal Kapadia’s debut...
Dole Days: Arnold Flutters About with Strange Bedfellows
There’s certainly a definable emotional core in Andrea Arnold’s fifth narrative feature, Bird, but the ideas and...
Risky Business: Audiard Surprises with Vibrant Genre Musical
Although it’s assembled from unlikely, even questionable sources, Jacques Audiard’s latest feature, Emilia Pérez, a genre...
The Devil and Donald Trump: Abbasi Reconstructs the Rise of a Crony Capitalist
Among the many wise observations written by nineteenth century Englishman Lord Acton,...
Bounds of Boundaries: Lanthimos Entertains Himself with Bizarre Triptych
It’s safe to say Yorgos Lanthimos has undoubtedly entered the oblivious, self-indulgent era of his career...
The jury of Greta Gerwig, filmmakers J. A. Bayona, Hirokazu Kore-eda, Nadine Labaki, acting folks Eva Green, Omar Sy, Lily Gladstone and Pierfrancesco Favino...
IONCINEMA.com's Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all...
The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in Moral Fable
What’s most interesting about director Michel Hazanavicius are his valiant attempts at dabbling in...
Woman Thou Art Loosed: Miller Wades into the Wasteland
In all likelihood, George Miller presumably will be closing out his filmography the same way it...
The only animated film in the competition, Michel Hazanavicius has been a favorite of the festival landing several competition berths beginning with 2011’s The...
The narrative behind Mohammad Rasoulof's journey to the Cannes competition (his first) will be talked about for a long time. Escaping his homeland (and...
Thief of Hearts: Lellouche’s Sprawling Romance Has Arrhythmia
A common occurrence for actors moonlighting as directors is not knowing how to hone a focus, crafting...