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2024 Cannes Film Festival – Checklist of Our Reviews

2024 Cannes Film Festival – Checklist of Our Reviews’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all sections, including logged reviews and forthcoming ones. Though Cannes might be over, we still have unpublished reviews that will be released over the next month.

In Competition:
All We Imagine as Light – [Review]
Anora – [Review]
The Apprentice – [Review]
Beating Hearts – [Review]
Bird – [Review]
Caught by the Tides – [Review]
Emilia Pérez – [Review]
The Girl with the Needle – [Review]
Grand Tour – [Review]
Kinds of Kindness – [Review]
Limonov: The Ballad – [Review]
Marcello Mio – [Review]
Megalopolis – [Review]
The Most Precious of Cargoes – [Review]
Motel Destino – [Review]
Oh, Canada – [Review]
Parthenope – [Review]
The Seed of the Sacred Fig – [Review]
The Shrouds – [Review]
The Substance – [Review]
Three Kilometres to the End of the World – [Review]
Wild Diamond – [Review]

Un Certain Regard:
Black Dog
The Damned – [Review]
Dog on Trial
Holy Cow – [Review]
The Kingdom
My Sunshine
On Becoming a Guinea Fowl
September Says
The Shameless
The Story of Souleymane – [Review]
The Village Next to Paradise
Viet and Nam
When the Light Breaks – [Review]

Out of Competition:
The Count of Monte Cristo
Furiosa: A Mad Max Saga – [Review]
Horizon: An American Saga – Chapter 1
The Second Act – [Review]
She’s Got No Name

Midnight Screenings:
The Balconettes
I, the Executioner
The Surfer
Twilight of the Warriors: Walled In

Cannes Premiere:
Being Maria – [Review]
Everybody Loves Touda
It’s Not Me
Jim’s Story
The Marching Band
Meeting with Pol Pot
Misericordia – [Review]
To Live, To Die, To Live Again

Special Screenings
An Ordinary Case
An Unfinished Film – [Review]
The Belle from Gaza
Ernest Cole: Lost and Found
Into the Wonderwoods
The Invasion – [Review]
Nasty – More Than Just Tennis

Directors’ Fortnight:
Christmas Eve in Miller’s Point
Desert of Namibia
East of Noon – [Review]
Eat the Night – [Review]
Eephus – [Review]
The Falling Sky
Ghost Cat Anzu
Good One
In His Own Image
The Hyperboreans – [Review]
The Other Way Around – [Review]
Plastic Guns
Savanna and the Mountain – [Review]
Sister Midnight – [Review]
Something Old, Something New, Something Borrowed – [Review]
This Life of Mine
To a Land Unknown
Universal Language
Visiting Hours

Critics’ Week:
In Competition
Block Pass – [Review]
Blue Sun Palace
The Brink of Dreams
Julie Keeps Quiet
Locust – [Review]
Simon of the Mountain – [Review]

Across the Sea
Animale – [Review]
Ghost Trail – [Review]
Queens of Drama

Ce n’est qu’un au revoir
Château Rouge
A Fireland
In Retreat – [Review]
It Doesn’t Matter
Kyuka – Before Summer’s End
Mi Bestia
Most People Die on Sundays – [Review]

Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). In 2022, he was a New Flesh Juror for Best First Feature at the Fantasia International Film Festival. Current top films for 2023 include The Zone of Interest (Glazer), Inside the Yellow Cocoon Shell (Pham Thien An), Totem (Lila Avilés), La Chimera (Alice Rohrwacher), All Dirt Roads Taste of Salt (Raven Jackson).

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