Overachiever Graham Moore moved from New York Times bestseller novelist to an Oscar winner for Best Adapted Screenplay (The Imitation Game) and this past...
If There Be Scorn: Fennell’s Debut a Stellar Portrait of Rape Trauma’s Rippling Effects
Heretofore, the rape revenge thriller has been something of a problematic...
Bonfire of the Wannabes: Durkin Returns with Scenes from a Consumerist Marriage
Sean Durkin, at last, returns with sophomore feature The Nest nine years after...
One of the hallmark signature hallmarks found in Durkinian cinema is the ability to capture the psychology of his characters through their inaction. This...
I am (re) Born: Iannucci Condenses a Dickens Masterpiece with Contemporary Aims
“It’s in vain to recall the past, unless it works some influence upon...
Ironbark
For his sophomore film, the UK’s Dominic Cooke tackles the Cold War in Ironbark, produced by Adam Ackland, Rory Aitken, Ben Browning, and Ben...
The most acquisitions and distributor launch-pad friendly section of the festival, the Premieres category had some big ticket items in Nisha Ganatra's Late Night,...
I Think They Know Her Alias: Lelio Revisits His Breakout Title with English Language Remake
Chilean auteur Sebastian Lelio, who recently took home an Academy...
Returning with their heavily anticipated sophomore feature, and English language debut, filmed outside of Montreal almost one year back, Veronika Franz & Severin Fiala's...
A filmmaker who needs no introduction, the award-winning The Babadook (among our top 20 for 2014) is among the upper echelon titles that premiered at...
A filmmaker we've been keeping tabs on since the late naughts when his Slamdance/SXSW preemed 2007's Murder Party dropped, Jeremy Saulnier played a significant creative role with...