Tag: George Rush

Aisha | Review

No Safe Havens: Letitia Wright’s Breathtaking Refugee Turn Frank Berry’s Aisha is the superbly moving record of a Nigerian refugee’s quiet fight for dignity in...

2024 Sundance: A Different Man, The Outrun, Winner & Sasquatch Sunset Among Premieres

Sundance Film Festival's Premiere section (a mix of fiction and docs) will have some biggie titles to contend with the likes of Aaron Schimberg's...

Marcel the Shell with Shoes On | Review

Clam Happy: Fleischer-Camp Fleshes Out His Amusing/Absurd Sketch of a Precocious Mollusk On paper, the inevitability of something like Marcel the Shell with Shoes On...

2022 Sundance Film Festival Predictions: Dean Fleischer-Camp’s Marcel the Shell with Shoes On

A surprise world premiere selection at the 2021 Telluride Film Festival, we originally predicted that Dean Fleischer-Camp's Marcel the Shell with Shoes On was...

2022 Sundance Film Festival Predictions: Frank Berry’s Aisha

Moving from a tragi-docudrama I Used to Live Here (2014) to what appears to be a very raw prison system film in Michael Inside...

Kirill Mikhanovsky’s Give Me Liberty | 2019 Sundance Film Festival

Juggling not one, but two current projects (the other being the Sundance Lab supported Coming to You), Kirill Mikhanovsky is at a special crux...

2019 NEXT Section Sundance Trading Card Series: #17. George Rush – Give Me Liberty

Producer George Rush from Give Me Liberty is among the voices, faces and creative folks that are a part of the ten films selected...

Ghostbox Cowboy | Review

Damn Sell: Maringouin’s No-Frills Pynchonian Mind-blowing Masterpiece Unfolding like a Thomas Pynchon novel, John Maringouin’s latest oeuvre follows an American inventor-of-sorts who gets taken for...

2018 American Film Festival Dailies: Red, White and …. Blue | Day 1

IONCINEMA.com arrived on day number two of the American Film Festival in Wrocław (pronounced var-SHAV-uh). The ninth edition is chock full in American Indie...

Interview: Boots Riley – Sorry to Bother You

Writer/Director Boots Riley is no stranger to pushing boundaries. A longtime political activist-rapper, he has already made his bones in music, founding the renowned...

Interview: Omari Hardwick – Sorry to Bother You

Among the cast of misfit supporting characters in Boots Riley's Sorry to Bother You we find Omari Hardwick's take on true corporate ladder machiavellianism...

Boots Riley’s Sorry to Bother You | 2018 Sundance Film Festival World Premiere

Perhaps the most hyped film to premiere at this year's Sundance film festival, the over-sold world preem screening at the Library had plenty of...

Video: Michael Tully’s Don’t Leave Home | 2018 SXSW Film Festival

At the SXSW Q&A, Austin-based director Michael Tully jokingly described his latest effort Don't Leave Home as 'Hereditary for old people', which may be an...

Ian Olds, Geremy Jasper, Boots Riley & Laure de Clermont Tonnerre Among SFFS / KRF Filmmaking Grant Finalists

If you're looking for a comprehensive overview of the not so distant future in American indie film, a reliable sampling is usually found in...

Tracking Shot: Van Sant, Doremus, Guadagnino & Reed Morano Shooting This August

“Tracking Shot” is a monthly featurette here on IONCINEMA.com that looks at a dozen or so projects that are moments away from lensing (or...

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2025 Cannes Film Festival Predictions – Directors’ Fortnight

In the inaugural year of his mandate, Directors' Fortnight...

2025 Cannes Film Festival Predictions – Critics’ Week

Located at the opposite end of the Croisette, the...

Swapping Bodies: Arthur Harari Begins Production on ‘L’Inconnue’ with Léa Seydoux

As speculation grows wild into what films will populate...