Tag: Lorenzo Mieli

Parthenope | Review

The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of a Lady It’s unfortunate no one’s as likely to be infatuated with the eponymous Parthenope (pronounced...

Maria | Review

Songs from the Specious Floor: Larrain Imagines the Last Days of a Diva A penny for the thoughts of Maria Callas regarding Pablo Larraín’s glossy...

Limonov: The Ballad | 2024 Cannes Film Festival Review

Wild at Heart: Serebrennikov Oversimplifies Odyssey of Soviet Dissident If one were to dilute a Molotov cocktail enough to make its destructive capabilities null and...

Priscilla | Review

La Belle Captive: Coppola Pays Homage to America’s Archetypal Child-Bride Priscilla Beaulieu Presley published her memoir Elvis & Me in 1985, which spawned a 1988...

Enea | 2023 Venice Film Festival Review

Deal or No Deal: Castellitto Distracted by Design in Drug Pusher Drama Director Pietro Castellitto embarks on a familial affair with sophomore film Enea, in...

Adagio | 2023 Venice Film Festival Review

Rome, Smoking City: Sollima Languorous Thriller Tiresomely Tests Narrative Cliches The most apropos element of Stefano Sollima’s Adagio is the title itself, as it’s two-hour-plus...

Top 200 Most Anticipated Foreign Films of 2023: #128. Stefano Sollima’s Adagio

Adagio A quartet of heavyweight Italian actors in Pierfrancesco Favino, Toni Servillo, Valerio Mastandrea, Adriano Giannini were put together for Stefano Sollima's next directing gig....

2022 Indie Spirits Awards Noms: The Cathedral, Palm Trees and Power Lines, Murina & Aftersun Are Glowing

Everything Everywhere All At Once, Tár, Women Talking and Bones and All are the heavyweight indies that will be properly feted the day before...

Esterno notte (Exterior Night) | 2022 Cannes Film Festival Review

Dead in Red: Bellocchio Returns to Infamous Kidnapping for Television Debut In his continuation in recuperating fantastical elements of Italian political and criminal history, Marco...

Rifkin’s Festival | Review

Spain & Glory: Allen Apes His Darlings in Familiar Comedy of Marital Discord The first entry of Woody Allen’s European banishment in the twilight years...

The Hand Of God | Review

Idle Hands: Sorrentino’s Sprawling Saga a Wayward Bildungsroman There’s almost as much to admire as there is to dismiss in The Hand of God, Paolo...

2022 Sundance Film Festival Predictions: Luca Guadagnino’s Bones & All

He had Call Me By Your Name have its world premiere in Park City, so Luca Guadagnino's first American shot film project in Bones...

Top 100 Most Anticipated Foreign Films of 2021: #48. Paolo Sorrentino’s The Hand of God

The Hand of God Produced by Paolo Sorrentino, Lorenzo Mieli Directed by Paolo Sorrentino Written by Paolo Sorrentino Starring: Toni Servillo, Lino Musella, Lubomir Misak Cinematographer: Daria D'Antonio Release...

If Only | 2019 Locarno Film Festival Review

Father of My Children: Elkann Siphons Lovingly from Familial Dysfunction for Debut The holidays will always be rife for cinematic exploration of familial discord and...

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La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation...

Most People Die on Sundays | Review

A Month of Sundays: Said Squeezes Magic Out of...

The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...