An Early Frost: Ekvtimishvili & Grob’s Debut a Memoir in Neorealism
The Georgian entry for 2014’s Best Foreign Language Film, In Bloom is the directorial...
Coffee Mate: Harris’s Latest a Heavy-handed, Yet Welcome Reprieve from the Norm
A professed self-taught filmmaker, director Mark Harris’ latest film, Black Coffee, exudes a...
Don’t Fear the Reaper: Lopez-Gallego and the Search for Substance
In 2011, some may recall a found footage moon expedition thriller called Apollo 18, the...
Pauline at the Beach: Fitoussi’s Breezy Caper Good for a Laugh
Director Marc Fitoussi seems inclined toward breezy-haired, bauble headed gamines that get jostled around...
Continued from picks 20 to 16....
20. Fruitvale Station – Ryan Coogler
19. Cutie and the Boxer – Zachary Heinzerling
18. Valentine Road – Marta Cunningham
17. Dirty...
Silver Linings: Morduant’s Debut a Breezy, Formulaic Crowd Pleaser
After winning awards and audience accolades at nearly every film festival it’s screened at (including Berlin,...
We're finally back for the latest installment in our favorite profile series. IONCINEMA.com’s IONCINEPHILE of the Month feature focuses on an emerging filmmaker from...
Continued from yesterday's 10-6 countdown, here are my picks 5 thru 1:
10. Fruitvale Station – Ryan Coogler
9. Her – Spike Jonze
8. Gravity – Alfonso...
We wake from our December holiday production break slumber for a production month of January that has some notable American indie productions, foreign films...
Suffer the Children: Wells' Adaptation Enjoyable Camp, Hinges on Grandiose Performances
When something sounds too good to be true, it often is, and while John...
In Plain Sight: Great Expectations for Fiennes' Sophomore Effort
After his brash, testosterone-fueled directorial debut Coriolanus, Ralph Fiennes fares far better with the quieter, chest-heaving illicit...
Trudge Match: Peter Segal, Cashing Checks
At the end of the day, Peter Segal’s latest directorial effort, Grudge Match, may not be the felonious stink...
Greed Is Great: Scorsese’s Latest a Coke Fueled, Orgiastic Comedy
Reconstructing the based on a true tale account of one Jordan Belfort’s rise through the...
Life is Like a Box of Chalk: Stiller Revamps Thurber for Hollow Melancholy
With its soaring visuals and dizzying soundtrack of expertly placed tunes to...
Riding on the Shoulders of Giants: Barnard Dexterously Makes a Go of Modern British Neo-Realism
The depiction of tumultuous youth enduring the harsh realities of...
High Tech Affairs: Jonze Unites Poets & Processors
In Her, Spike Jonze’s brainy and big hearted exploration of near future human relationships with techno-intelligence, Joaquin...
Grand Finale: Seidl’s Final Chapter Strikes Surprisingly Tender Notes
With Paradise: Hope, the crowning chapter of Austrian auteur Ulrich Seidl’s Paradise Trilogy, the provocateur surprises...
Black Christmas: Clark’s Nostalgia Tinged Nightmare of Christmas Tradition
Even those unfamiliar with previous films directed by Zach Clark (Modern Love is Automatic; Vacation!) will...
Known for its selection of unnerving and underrated acquisitions of films that appear to exist on the unconventional fray, Artsploitation Films brings Jason Banker’s...
Smaug Hat: Jackson’s Second Entry Back on Track
Beyond the glaring distraction of the 48fps digital cinematography in Peter Jackson’s first installment of his bloated...
Sugartime: Hancock Syrupy Recount Gets the Disney Dress Up
There’s a fascinating story lurking somewhere in John Lee Hancock’s Saving Mr. Banks, but it’s relegated...
By Any Other Name: Patellerie & Delaporte’s Debut a Comfortably Forced Farce
Matthieu Delaporte and Alexandre de La Patelliere’s co-directorial debut, What’s in a...
Ride on Time: August and Another Puerile Adaptation
It’s evident that Danish director Bille August favors helming adaptations of challenging novels, though the end result...
Hustle Bustle: Russell Returns With Surprising Verve
Just when you thought David O. Russell’s American Hustle might bow as an attempt at an awards friendly...
Women Are From Velvet: Labute’s Latest Chapter in Power Struggles of the Sexes
Its title recalling that late 60’s psychedelic pop song from Nancy Sinatra...
Lock Your Souls Up: Bogliano’s Latest a Decent But Frayed Exercise
Adrian Garcia Bogliano’s tenth feature film, Here Comes the Devil finally shows the Argentinean...
The Sundance Film Festival made their final feature film line-ups with the Premieres category announcements. Sixteen films with huge name talent, returnee filmmakers and...
Sextette: Gurfinkel’s Debut an Uncomfortable Sashay into Female Victimhood
Exuding enough uncomfortable finesse to be ranked as one of several cinematic explorations that appear to...