Black Christmas: Clark’s Nostalgia Tinged Nightmare of Christmas Tradition
Even those unfamiliar with previous films directed by Zach Clark (Modern Love is Automatic; Vacation!) will...
Known for its selection of unnerving and underrated acquisitions of films that appear to exist on the unconventional fray, Artsploitation Films brings Jason Banker’s...
Smaug Hat: Jackson’s Second Entry Back on Track
Beyond the glaring distraction of the 48fps digital cinematography in Peter Jackson’s first installment of his bloated...
Sugartime: Hancock Syrupy Recount Gets the Disney Dress Up
There’s a fascinating story lurking somewhere in John Lee Hancock’s Saving Mr. Banks, but it’s relegated...
By Any Other Name: Patellerie & Delaporte’s Debut a Comfortably Forced Farce
Matthieu Delaporte and Alexandre de La Patelliere’s co-directorial debut, What’s in a...
Ride on Time: August and Another Puerile Adaptation
It’s evident that Danish director Bille August favors helming adaptations of challenging novels, though the end result...
Hustle Bustle: Russell Returns With Surprising Verve
Just when you thought David O. Russell’s American Hustle might bow as an attempt at an awards friendly...
Women Are From Velvet: Labute’s Latest Chapter in Power Struggles of the Sexes
Its title recalling that late 60’s psychedelic pop song from Nancy Sinatra...
Lock Your Souls Up: Bogliano’s Latest a Decent But Frayed Exercise
Adrian Garcia Bogliano’s tenth feature film, Here Comes the Devil finally shows the Argentinean...
The Sundance Film Festival made their final feature film line-ups with the Premieres category announcements. Sixteen films with huge name talent, returnee filmmakers and...
Sextette: Gurfinkel’s Debut an Uncomfortable Sashay into Female Victimhood
Exuding enough uncomfortable finesse to be ranked as one of several cinematic explorations that appear to...
Fire Walk: Cooper’s Sophomore Effort a Somber, Fatalistic Malaise
Director Scott Cooper returns with Out of the Furnace, his first film since his Oscar winning...
Emulating Almodóvar: Castellitto Employs Cruz To Pull Heartstrings
The renowned Italian actor turned middling director Sergio Castellitto returns to his place on both sides of...
Robert Altman’s Nashville resurfaces for the home video market in a nicely packaged DVD/Blu-ray combo set from Criterion. A Best Picture nominee from 1975,...
Trains of Innocence: Savage Road Story to the Land of Broken Dreams
Among the vast and redundant collection of tales dealing with illegal immigration, very...
Let’s Do It Again: Lee’s Reimagining Imaginative Enough
Call it what you will, reimagining, reinterpretation, or remake, Spike Lee’s Oldboy can’t escape its describing root...
The elusive "Golden Ticket". Beginning next Wednesday (December 4th) in a wave of four announcements, is when the official word comes out. Plenty of...
Half Nelson: Chadwick’s Biopic Stretched Thin
An attempt to cover fifty years in the life of South African President Nelson Mandela in the time span...
Catholic Kisses: Frears’ Returns with a Loveable Crowd Pleaser
Just when you thought that Stephen Frears’ latest film, Philomena, would be yet another questionable exercise...
He received unnecessary flack for his Kickstarter campaign, and while Garden State isn't my cup of kool-aid, the 2004 dramedy which premiered at Sundance...
Don't let the lack of theatrical output foul you. Adam Rapp is a man of many hats, alternating between novelist, playwright, television, guitarist, actor...
The Living End (1992). Totally F***ed Up (1993). The Doom Generation (1995). Nowhere (1997). Splendor (1999). Mysterious Skin (2005). Smiley Face (2007). Kaboom (2011)....
His brilliant feature debut Without, broke out in Park City....but at the neighboring, competing fest. From Slamdance onwards (BFI London, Deauville, Chicago, Locarno Film...
Traction and the kernel of the idea on this third, and final installment technically began when the filmmaker herself became a "subject" to domestic...