Tag: Daniel Battsek

Hot Milk | Review

The Eternal Daughter: Lenkiewicz Ladles the Milk of Sorrows Screenwriter Rebecca Lenkiewicz makes her directorial debut with Hot Milk, an adaptation of Deborah Levy’s comically...

Hard Truths | 2024 Toronto Intl. Film Festival Review

Take A Chance On Love: Mike Leigh Delivers A Late Career Powerhouse You can’t help but wonder if Mike Leigh is making a sly joke...

The Electrical Life of Louis Wain | Review

Wain’s World: Sharpe Presents Loving Portrait of an Artist It’s odd to reflect upon a time when felines weren’t regarded as a stereotypical domesticated fur...

Limbo | Review

Immigrant Song: The Personal is Political in Sharrock’s Quietly Sincere Portrait of Asylum Seeker The plight of the political asylum seeker is a complex situation...

The Father | Review

Bend It Like Beckett: Zellers Adapts His Masterful Play into Exploratory Film In Paradise Lost, John Milton remarked “The mind is its own place, and...

The Personal History of David Copperfield | Review

I am (re) Born: Iannucci Condenses a Dickens Masterpiece with Contemporary Aims “It’s in vain to recall the past, unless it works some influence upon...

The Shadow of Violence | Review

Goodbye Horses: Rowland Riles Allegiances in Familiar Crime Thriller It’s a tale as old as crime itself, the toppling of empires thanks to the shifting...

How to Build a Girl | Review

The Girl Most Likely To…: Giedroyc Returns with Novel Coming-of-Age Dramedy In several respects, the trajectory of How to Build a Girl isn’t inherently new---a...

True History of the Kelly Gang | Review

The Ned Don’t Die: Kurzel Returns to Form with Exploration of Infamous Outlaw It’s been nearly 140 years since the execution of Ned Kelly, Australia’s...

Greed | Review

In a Rich Man’s World: Winterbottom Wobbles with Elementary Satire Perennial British filmmaker Michael Winterbottom, who has presented a number of different narratives across...

The Day Shall Come | Review

Fooling the Children of the Revolution: Morris Returns with Dark, Political Satire Stakes are perhaps too high for writer-director Christopher Morris’s sophomore film following the...

Video: Chris Morris’ The Day Shall Come | 2019 SXSW Film Festival

Eight years after his incendiary debut Four Lions premiered at Sundance, British satirist Chris Morris unveiled his follow-up The Day Shall Come at SXSW...

Top 150 Most Anticipated Foreign Films of 2019: #103. Greed – Michael Winterbottom

Greed Michael Winterbottom unites once more with actor Steve Coogan for his latest project, Greed, their first collaboration since the third installment of their Trip...

Video: Yorgos Lanthimos’ The Killing of a Sacred Deer | 2017 Cannes Film Festival – Best Screenplay

A film that was highly anticipated and did not go unnoticed, shared with Lynne Ramsay's You Were Never Really Here, this was the press...

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Flesh and Fuel (Du Fioul dans les artères) | 2026 Cannes Film Festival Review

Paradise by the Dashboard Lights: Le Gall Finds Love...

Shana | 2026 Cannes Film Festival Review

Happy-Go-Mucky: Pinell Finds Purpose with a Woman in Transition “No...

2026 Cannes Critics’ Panel: Day 3 – Marie Kreutzer’s ‘Gentle Monster’

From Austria, Marie Kreutzer breaks into the Palme d'Or...

Gentle Monster | 2026 Cannes Film Festival Review

The Children’s Hour: Kreutzer Poses Provocative Dilemmas The complex trappings...