Tag: Margaret Qualley

Blue Moon | 2025 Berlin Intl. Film Festival Review

The Unbearable Lightness of Seeing: Linklater Pays Homage to a Broken Hart Lorenz Hart was a lonely hunter. If you believe you haven’t heard of...

The Substance | Review

Woman of Substance: Fargeat Rejuvenates Body Horror with Pulpy Parable To borrow a succinct phrase from Beyonce, ‘pretty hurts,’ a sentiment quivering through Coraline Fargeat’s...

2024 Golden Globe Awards: Emilia Pérez, The Brutalist & Anora Take Pole Positions

It'll be a Cannes Film Festival competition rematch alongside the critical darling (Best Director) winning competition film from the Venice Film Festival. Emilia Pérez...

Missing Without a Trace: Margaret Qualley Moves into Zachary Wigon’s ‘Victorian Psycho’

American indie filmmaker Zachary Wigon (2014's The Heart Machine and 2022's Sanctuary) is not wasting time getting back into the saddle -- Deadline reports...

Kinds of Kindness | Review

Bounds of Boundaries: Lanthimos Entertains Himself with Bizarre Triptych It’s safe to say Yorgos Lanthimos has undoubtedly entered the oblivious, self-indulgent era of his career...

Poor Things | Review

The Story of O: Lanthimos Mesmerizes with Fiercely Compelling Frankenstein Tale “Men have constructed female sexuality and in so doing have annihilated the chance for...

2024 Sundance Film Festival Predictions: Ethan Coen’s Drive-Away Dolls

When Focus Features moved Ethan Coen's Drive-Away Dolls from the fall festival slate to it's current February 23rd release date we can imagine that...

Tallahassee Trippin’: Ethan Coen’s “Drive-Away Dolls” Set for Awards & Fest Season Spotlight

And here we have it. It's called Drive-Away Dolls. It's dropping on September 22nd. Telluride, Venice Film Festival and TIFF programmers have their tasers...

Top 200 Most Anticipated Foreign Films of 2023: #11. Yorgos Lanthimos’ AND

AND A year-end item that squeezed itself at the top of our list is Greek helmer Yorgos Lanthimos’ latest project which sees him reteam with...

Stars at Noon | Review

White Material: Denis Heats Up with Sinister, Nervy Romance Claire Denis leaves behind the Sandinistas of 1984 Nicaragua for Stars at Noon, based on the...

Top 100 Most Anticipated Foreign Films of 2022: #5. Claire Denis’ The Stars at Noon

The Stars at Noon Produced by Olivier Delbosc Directed by Claire Denis Written by Claire Denis, Andrew Litvack Starring: Margaret Qualley, Joe Alwyn, Danny Ramirez Cinematographer: Eric Gautier ...

Top 100 Most Anticipated Foreign Films of 2022: #8. Yorgos Lanthimos’ Poor Things

Poor Things Produced by Yorgos Lanthimos, Element Pictures' Ed Guiney, Andrew Lowe. Directed by Yorgos Lanthimos Written by Tony McNamara Starring: Emma Stone, Margaret Qualley, Willem Dafoe, Mark...

My Salinger Year | Review

Raise High the Roofbeams, Cinema: Falardeau’s Warm Homage Clangs Carpe Diem “I think that one of these days…you’re going to find out where you want...

Top 150 Most Anticipated Foreign Films of 2020: #33. My Salinger Year – Philippe Falardeau

My Salinger Year Quebec’s Philippe Falardeau will unleash his highest profile project to date next year with My Salinger Year, an adaptation of Joanna Rakoff’s...

Once Upon a Time in Hollywood | Review

California Dreamin’: Tarantino Dons Nostalgic Pastiche of Doomed Decadence The lurid fascination and mildewed devotion for the transitional glory days of late 1960s Hollywood, informed...

Adam | 2019 Outfest Los Angeles LGBTQ Film Festival Video Review

Trans Substantiate: Ernst Turns Back Time in Sincere, Flawed Trans Rom-Com “Lying is stupid and lonely,” says Margaret Qualley, a wearied queer woman towards the...

Native Son | Review

(Not So) Good Times: Johnson Stumbles with Modern Homage to Richard Wright Marrying historical contexts to modern aesthetics is often an arresting avenue for consideration,...

Top 100 Most Anticipated American Independent Films of 2019: #24. Benedict Andrews’ Against All Enemies

Against All Enemies Another highly anticipated sophomore feature in our countdown, Benedict Andrews expands the size of canvas moving from the duet in Una to...

2019 Sundance Film Festival Predictions: #59. Rashid Johnson – Native Son

Perhaps the most alluring offering on A24's slate for 2019 is the ode to 1930's Chicago and African American identity debut film from conceptual...

2019 Sundance Film Festival Predictions: #39. Jonathan Helpert – IO

2018 came and will have went and IO will not have dropped. Perhaps there is a lot more after effect works demanded for this...

2019 Sundance Film Festival Predictions: #4. Benedict Andrews – Against All Enemies

After making his debut entrance with Una (read our review), Australian theatre and filmmaker Benedict Andrews didn't waste much time moving directly into his sophomore gig with the...

2019 Sundance Film Festival Predictions: #3. Rhys Ernst – Adam

A project that once had Desiree Akhavan attached to direct, Adam would land in the lap of "This Is Me" and "Transparent" producer-director Rhys Ernst somewhere in...

Top 100 Most Anticipated American Indie Films of 2018: #11. Tim Sutton’s Donnybrook

Donnybrook With a film budget that likely surpassed the total coin amount of his first three films combined, Tim Sutton (a featured IONCINEPHILE alumn) moves into...

2018 Sundance Film Festival Predictions: Jonathan Helpert’s IO

Originally set up with thesps Elle Fanning, Diego Luna and Clay Jeter in the director's chair, IO, the Sundance Institute’s Writers Lab and the...

Novitiate | Review

And Then There Were Nun: Betts’ Novel Approach to the Nunnery Director Maggie Betts revisits a fascinating transitional period in the Catholic church with her...

2017 Sundance Film Festival Predictions: Shawn Christensen’s Sidney Hall

Part musician/part filmmaker, Shawn Christensen is an Academy Award winner (Oscar for Best Live Action Short Film for his 2012 film, Curfew) who would adapt the short...

The Nice Guys | Blu-ray Review

Comedic neo-noir is difficult to achieve, not unlike a recent trend of popular hybrids sporting humor and horror as freely interchangeable elements, resulting in...

A Face We Know: Adam Wingard Scribbles in Keith Stanfield & Palo Alto’s Duo for “Death Note”

Adam Wingard's Death Note appears to have had some short lived growing pains to sort out as The Wrap reports that Netflix beat out several...

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The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...