Tag: Michael Weber
Harvest | 2024 Venice Film Festival Review
Sheep, Sheep, Sheep: Tsangari’s Monotonous Treatise on Modernization
Adapted from a novel by Jim Croce, Harvest is Greek auteur Athina Rachel Tsangari's third feature narrative,...
Interview: Michel Franco – Memory
Unwaveringly dedicated to a cinema of provocation, even if it may appear excessive to more sensitive viewers, auds at the Venice (and Toronto) Film...
Afire | Review
Pleasure to Burn: Petzold Stokes the Flames in Diffident Drama
A fragile male ego finds itself dismantled in Afire (Roter Himmel), the second chapter...
Outsmoked: Athina Rachel Tsangari Moving Towards Summer Shoot for “Harvest”
The backdrop of Oban, Scotland and Germany will be the lieu of location for Greek filmmaker Athina Rachel Tsangari's next feature film. Production is...
Scarlet (L’Envol) | Review
Come Sail Away: Marcello Runs Aground in Muddled Adaptation
Pietro Marcello returns to literature for inspiration in his third narrative feature (and French language debut),...
Interview: Francisca Alegria, Mia Maestro & Leonor Varela – The Cow Who Sang a Song Into the Future
Francisca Alegria’s The Cow Who Sang a Song Into the Future is unlike any other experience offered by Sundance ’22: a deeply moving onscreen...
Top 200 Most Anticipated Foreign Films of 2023: #12. Christian Petzold’s Afire
Afire
So deserving and so close at cracking our top 10, the great German filmmaker Christian Petzold continues at his break-neck speed of quantity and...
Never Gonna Snow Again | Review
Intimate Strangers: Szumowska & Englert Explore Despondency & Isolation
Our innate capacity for constructing the vehicles of our own alienation and ennui inform the backdrop...
Undine | Review
Till Human Voices Wake Us: Petzold Gets Mythologically Romantic
A classical figure of mythology and beyond, the Undine (or Siren), a water nymph creature who’s...
Top 100 Most Anticipated Foreign Films of 2021: #18. Apichatpong Weerasethakul’s Memoria
Memoria
Produced by Diana Bustamante, Julio Chavezmontes, Charles de Meaux, Simon Field, Keith Griffiths, Michael Weber
Directed by Apichatpong Weerasethakul
Written by Apichatpong Weerasethakul
Starring: Tilda Swinton, Jeanne...
Martin Eden | Review
The Working Class Goes to Heaven: Marcello Retrofits London’s Ruminations on Superficial Social Status
Pietro Marcello brings his unconventional sensibilities to new heights with Martin...
Top 150 Most Anticipated Foreign Films of 2020: #3. Memoria – Apichatpong Weerasethakul
Memoria
Produced by Diana Bustamante, Julio Chavezmontes, Charles de Meaux, Simon Field, Keith Griffiths, Michael Weber
Directed by Apichatpong Weerasethakul
Written by Apichatpong...
Top 150 Most Anticipated Foreign Films of 2020: #4. Undine – Christian Petzold
Undine
Produced by Florian Koerner von Gustorf, Michael Weber.
Directed by Christian Petzold
Written by Christian Petzold
Starring: Paula Beer, Franz Rogowski, Jacob...
Here’s Lookin’ at You, Visa: Petzold Posits New Fascism on Classic WWII Novel Transit | Blu-ray Review
Christian Petzold, the shining star of Germany’s Berlin School, unveiled his most provocative narrative reclamation yet with 2018’s Transit, adapted from Anna Segher’s 1942...
Interview: Carlos Reygadas – Our Time
Casting his wife, children and himself in his fifth feature film, Carlos Reygadas explores the tricky negotiations of being in an open relationship and...
2019 Cannes Critics’ Panel: Day 11 – Marco Bellocchio’s The Traitor
Master filmmaker Marco Bellocchio returns to Cannes (he was last there for 2016’s Sweet Dreams - a Directors’ Fortnight entry) for what will be...
The Traitor | 2019 Cannes Film Festival Review
Witness for the Prosecution: Bellocchio Delivers Vigorous Portrait of the Man Who Took Down the Cosa Nostra
Italian auteur Marco Bellocchio, on the verge of...
Transit | Review
Those Who Leave: Petzold Collapses Past and Present with Holocaust Redux
Switching things up considerably compared to his previous offerings, German auteur Christian Petzold makes...
Interview: Christian Petzold – Transit
If we think more broadly about the possibilities for narrative cinema in the age of “post-cinema” we can certainly make a case in point...
Daughter of Mine | Review
Miss Mom: Bispuri Challenges Family Symmetry in Captivating Sophomore Pic
With her sensory filled coming-of-age sophomore feature, Laura Bispuri navigates the sweet and sour voyage...
Audio Interview: Laura Bispuri – Daughter of Mine (Figlia mia)
Day 4 at the Berlinale provided a gem of a film in provenance of the Mediterranean Sea's second largest island. The focal point of...
Top 150 Most Anticipated Foreign Films of 2019: #32. The Traitor – Marco Bellocchio
The Traitor
Italian auteur Marco Bellocchio, whose radical early works were a seminal part of 1960s and 1970s Italian cinema, embarks on his latest feature...
Top 150 Most Anticipated Foreign Films of 2019: #50. The Invisible Life of Euridice Gusmao (A Vida Invisível) – Karim Aïnouz
The Invisible Life of Euridice Gusmao (A Vida Invisível)
It’s been five years since the last narrative feature from Brazil’s Karim Aïnouz, but he’ll finally...
Top 150 Most Anticipated Foreign Films of 2019: #65. Martin Eden – Pietro Marcello
Martin Eden
Italian director Pietro Marcello tackles Jack London’s 1909 novel Martin Eden for his second narrative feature. Although various television versions have been made,...
2019 Sundance Film Festival Predictions: #66. Ritesh Batra – Photograph
Post The Lunchbox fame (his well traveled Film Fest favorite which was also shown at Sundance in 2014), Ritesh Batra hit a creative cluster mark with Our Souls...
Interview: Samuel Maoz – Foxtrot
It's been almost a full decade since Venice Golden Lion 2009's Lebanon (check out our 2009 interview), so it was with considerable anticipation and curiosity as...