Largely known as a film editor for having worked with partner Carlos Reygadas on 2007 masterwork Silent Light and with further collaborations with the...
The folks at Unifrance (supported by the Creative Europe program of the European Commission) have launched MyMetaStories -- a new, online European film festival...
A Teacher Fights For Her Job In Katalin Moldovai’s Simmering Indictment of Hungary’s Culture Wars
Agnieszka Holland’s largely forgotten (and quite awful) 1995 biopic Total...
Lover Come Back: Romance Rekindles in Brizé’s Elegant Exploration of Regret
The universal dilemma of romantic regret is wondering ‘what could have been’ based on...
Pieces of a Woman: Szumowska & Englert Compose Compassionate Portrait of Trans Woman
“Testosterone is power,” confirms one physician advising Andrzej, the protagonist of Malgorzata...
Children of a Lesser God: Diritti Highlights Swiss War Crimes in Prolonged Drama
The actual history being explored in Giorgio Diritti’s three-hour drama Lubo is...
The Girl with All the Gifts: Torch Tiptoes into Genre with Aloof Drama
Belgian director Fien Troch has built a steadfast filmography on quietly painful...
The Write Stuff: Life Becomes Art in Mavroeidis Sun Dappled Debut
Hindsight is 20/20, especially when it comes to using romantic liaisons as creative fodder...
Not in the Script: Sugita’s New Form of Companionship Takes on Heartaches and Heartbreaks
Rewriting the notion of what it truly means to follow someone...
Deal or No Deal: Castellitto Distracted by Design in Drug Pusher Drama
Director Pietro Castellitto embarks on a familial affair with sophomore film Enea, in...
Lucky Number Seven: The Grabbing Hands Grab All They Can in Lee Hong-Chi’s Debut
Working as both a crime film (non-gangster former life) and drama-soaked...
The Spider’s Stratagem: Vanicek Weaves Familiar Web with Debut Creature Feature
Creature features have an odd way of satisfying a variety of our escapist desires,...
Rome, Smoking City: Sollima Languorous Thriller Tiresomely Tests Narrative Cliches
The most apropos element of Stefano Sollima’s Adagio is the title itself, as it’s two-hour-plus...
Other Mothers: Iriarte’s Debut a Murky Mix of Neo Noir and Melodrama
For his film debut Foremost the Night, Víctor Iriarte frames his peculiarly staged...
Cruel Intentions: Costanzo Pays Homage to the Demi-Monde of the Italian Film Industry
After adapting Elena Ferrante’s "My Brilliant Friend" for television, Saverio Costanzo returns...
Second Chance Romance: Girard Haunts Huppert in Erstwhile Ghost Story
Isabelle Huppert conjoins two of her most recent recurring cinematic themes with Sidonie in Japan,...
Selected as a competition offering in the Venice Film Festival's Orizzonti section, Nehir Tuna's lands a prestige spot to showcase his directorial debut film...
The Good Earth: Arcel Inherits the Wind with Romanticized Historical Recuperation
After making his English language debut with the imperiled Stephen King adaptation The Dark...
Among the ten competition films selected for TIFF's prestige Platform programme, Héléna Klotz makes her long-awaited return to features with Spirit of Ecstasy (aka...
Two surprise world premieres (highly anticipated sophomore features) are part of the last batch of competition film title announcements duking it out for the...
Canada announced Zaynê Akyol's Rokej, Germany announced Ilker Çatak's The Teachers Lounge (a future SPC release) and Chile ended up selecting a film that...
Ellie Foumbi’s Our Father, the Devil (Mon Père, le Diable) is an exceptionally haunting, masterful film. A highlight from both Venice (a Biennale College...
Horse Girl: Oren Gets Hot to Trot in Strange, Alluring Debut
What is it about horses, exactly, and their tacit parallels with subterranean conduits of...
Death in the Garden: Chebbi Debuts Eerie, Nuanced Murder Mystery
In a supremely frightening sense, the events transpiring in Ashkal (which means ‘shapes’ in Arabic) recalls...
The Land That Time Forgot: Vroda Mines Eroding Memories in Speculative Debut
Thomas Wolfe meant You Can’t Go Home Again metaphorically, but such might literally...
Uruguayan filmmaker Lucía Garibaldi (who premiered The Sharks at Sundance in 2019), Abinash Bikram Shah (short film winner in Cannes 2022), Burak Cevik (one...
Boogie Nights: Exarchou Doses Summertime Sadness in Achy Melodrama
For anyone who’s ever wondered what life might be like for employees at any tourist trap...
A dozen film titles with items dating back to this year's Sundance (David Zonana's Heroic), Berlinale (Lila Aviles' Totem and Tatiana Huezo's The Echo)...