Tag: Cinema of the United Kingdom
Beats | Review
Gravitational Arch of Men: Teenage Friendship’s Last Hurrah Found in Walsh’s Scottish Techno Crowd-pleaser
Simultaneously a nostalgic throwback and a vibrant, youthful anthem of rebelliousness, Beats...
The Trip to Greece | Review
The Greece-y Strangler: Winterbottom Lays His Culinary Comedy Series to Rest
Michael Winterbottom aims to kill his darlings with the fourth and final segment of...
Blue Story | Review
Enemies, a Love Story: Rapman Rides the Waves of a Street War in Familiar Fashion
Although it’s not quite West Side Story (1961), either in...
Sex, Lies and Emancipate: Schlesinger Finds Fantasy in New Wave Classic “Billy Liar” (1963) | Blu-Ray Review
An important piece of the short-lived British New Wave of the early 1960s was John Schlesinger’s sophomore film Billy Liar (1963). But if the...
Misery’s Company: Gollings Squanders Dream Cast in Sole Directorial “Connecting Rooms” (1970) | Blu-ray Review
For his one and only directorial effort, Franklin Gollings managed to finagle an impressive cast with 1970’s Connecting Rooms, based on the play The...
Video Interview: Dylan Holmes Williams – The Devil’s Harmony (Short Film) 2020 Sundance Film Festival
With a certain clinical Lanthimos-like aestheticism and The Stepford Wives sorting of the character set, London-based filmmaker Dylan Holmes Williams has been super-charged by...
Heist Season: Losey Gets Hard Boiled in Somber Neo Noir “The Criminal” | Blu-ray Review
Sporting one of cinema’s most varied filmographies, American born Joseph Losey is one of the few blacklisted success stories of McCarthy’s witch hunt in...
The Corrupted | Review
Crime Time: Scalpello Skirts the Underbelly in Generic, Capable Thriller
We’ve reached a point where something like The Corrupted, the latest offering from Britain’s Ron...
Top 150 Most Anticipated Foreign Films of 2020: #42. The Nest – Sean Durkin
The Nest
Eight years after the success of his 2011 debut Martha Marcy May Marlene, Sean Durkin resurfaces with sophomore feature The Nest, a Canadian-U.K....
The Day Shall Come | Review
Fooling the Children of the Revolution: Morris Returns with Dark, Political Satire
Stakes are perhaps too high for writer-director Christopher Morris’s sophomore film following the...
Bait | 2019 New Horizons Intl. Film Festival Review
Scratching the Surface: Jenkin’s Ambitious Visual Style Carries Cornish Coastal Drama
Experimental filmmaker Mark Jenkin shines a light on the film industry of Cornwall with...
The White Crow | Review
Defector Becomes Him: Fiennes Revisits the Westernization of Rudolf Nureyev
There’s much to admire in the third directorial outing of actor Ralph Fiennes with The...
Going Dutch: Steve McQueen & Bianca Stigter Pair on The Occupied City
After mapping out the Chicagoan underworld in Widows, master British helmer Steve McQueen has teamed with his significant other in author / Dutch-born Bianca Stigter to...
Off Set 2018 TIFF Portrait Series: Vita & Virginia
My favorite sub-genre in cinema happens to be films about filmmaking and second place, before the biopic, are films about the lives of authors,...
Where Hands Touch | 2018 Toronto Intl. Film Festival Review
I See a Dark Stranger: Asante Examines Obscured Holocaust Perspective in Anglo Period Piece
British director Amma Asante rounds out a thematic trilogy of sorts...
Interview: Michael Pearce & Jessie Buckley – Beast
Unveiled at the Toronto International Film Festival in the Platform section with additional premieres at Sundance and Rotterdam earlier this year, Michael Pearce's directorial...
