The Good Pole: Holland’s Humanitarian Drama a Steady Drizzle of Misery Porn
The difference between an exploitation vs. a social issue film can sometimes be...
Pieces of a Woman: Szumowska & Englert Compose Compassionate Portrait of Trans Woman
“Testosterone is power,” confirms one physician advising Andrzej, the protagonist of Malgorzata...
Polish filmmaker Jan P. Matuszyński is deep in production with Minghun. Screen Daily reports that Marcin Dorociński leads the cast. Originally set for an...
Staring into the Known: Smoczyńska Offers Low-key, Uncompromising Sophomore Feature
Surely not the follow up effort audiences might have had in mind from the creator...
Donkey Skin: Skolimowski Restages Bresson for the Modern Age
Robert Bresson’s 1966 film Au Hasard Balthazar is considered a masterpiece, though its reputation took a...
Destructive Caring: Family Falls Apart in Dzianowicz’s Latest
Shreds is the story of Gerard (Grzegorz Przybył), a man in his sixties, living with his son’s...
Intimate Strangers: Szumowska & Englert Explore Despondency & Isolation
Our innate capacity for constructing the vehicles of our own alienation and ennui inform the backdrop...
Goodbye to Language: The Final Gasp of Zulawski Presents a Fractured Portrait of Contemporary Poland
Language and culture are prominent motifs in the filmography of...
Polish auteur Pawel Pawlikowski ascends to the Criterion Collection with his 2018 success Cold War, which competed at Cannes (winning him Best Director), and...
Hidden Treasure: Jonynas Stages Greek Tragedy against Backdrop of Eastern Europe
A student of Krzysztof Zanussi, Lithuanian director Ignas Jonynas infuses his third feature film...
The Most Important Thing is to Love: Pawlikowski Delivers Beautifully Wrought, Chilly Amour Fou
Polish auteur Pawel Pawlikowski has had a curious trek to international...