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2022 Cannes Coverage Wrap-Up: Directors’ Fortnight

2022 Cannes Coverage Wrap-Up: Directors’ Fortnight

1976 – Manuela Martelli [Review] [Interview]
Ashkal – Youssef Chebbi [Review]
The Dam – Ali Cherri
Continental Drift (South) – Lionel Baier [Review]
Enys Men – Mark Jenkin
De Humani Corporis Fabrica – Lucien Castaing-Taylor, Véréna Paravel [Review]
Falcon Lake – Charlotte Le Bon [Review]
Les Cinq Diables – Léa Mysius [Review]
Funny Pages – Owen Kline
God’s Creatures – Saela Davis, Anna Rose Holmer [Review]

Mubi Cannes 2022

Le Parfum vert – Nicolas Pariser
Les Harkis – Philippe Faucon
Un varón – Fabian Hernández [Review]
La Montagne – Thomas Salvador [Review]
Un beau matin – Mia Hansen-Løve [Review]
Pamfir – Dmytro Sukholytkyy-Sobchuk [Review]
Revoir Paris – Alice Winocour [Review]
L’Envol – Pietro Marcello [Review]
Les Années Super 8 – Annie Ernaux, David Ernaux-Briot [Review]
El agua – Elena López Riera [Review]
Will-o’-the-Wisp – João Pedro Rodrigues
Special Screening: Men – Alex Garland [Review]

Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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