A Teacher Fights For Her Job In Katalin Moldovai’s Simmering Indictment of Hungary’s Culture Wars
Agnieszka Holland’s largely forgotten (and quite awful) 1995 biopic Total...
Lover Come Back: Romance Rekindles in Brizé’s Elegant Exploration of Regret
The universal dilemma of romantic regret is wondering ‘what could have been’ based on...
Pieces of a Woman: Szumowska & Englert Compose Compassionate Portrait of Trans Woman
“Testosterone is power,” confirms one physician advising Andrzej, the protagonist of Malgorzata...
Children of a Lesser God: Diritti Highlights Swiss War Crimes in Prolonged Drama
The actual history being explored in Giorgio Diritti’s three-hour drama Lubo is...
The Girl with All the Gifts: Torch Tiptoes into Genre with Aloof Drama
Belgian director Fien Troch has built a steadfast filmography on quietly painful...
The Write Stuff: Life Becomes Art in Mavroeidis Sun Dappled Debut
Hindsight is 20/20, especially when it comes to using romantic liaisons as creative fodder...
Not in the Script: Sugita’s New Form of Companionship Takes on Heartaches and Heartbreaks
Rewriting the notion of what it truly means to follow someone...
Deal or No Deal: Castellitto Distracted by Design in Drug Pusher Drama
Director Pietro Castellitto embarks on a familial affair with sophomore film Enea, in...
Lucky Number Seven: The Grabbing Hands Grab All They Can in Lee Hong-Chi’s Debut
Working as both a crime film (non-gangster former life) and drama-soaked...
The Spider’s Stratagem: Vanicek Weaves Familiar Web with Debut Creature Feature
Creature features have an odd way of satisfying a variety of our escapist desires,...
Rome, Smoking City: Sollima Languorous Thriller Tiresomely Tests Narrative Cliches
The most apropos element of Stefano Sollima’s Adagio is the title itself, as it’s two-hour-plus...
Other Mothers: Iriarte’s Debut a Murky Mix of Neo Noir and Melodrama
For his film debut Foremost the Night, Víctor Iriarte frames his peculiarly staged...
Cruel Intentions: Costanzo Pays Homage to the Demi-Monde of the Italian Film Industry
After adapting Elena Ferrante’s "My Brilliant Friend" for television, Saverio Costanzo returns...
Second Chance Romance: Girard Haunts Huppert in Erstwhile Ghost Story
Isabelle Huppert conjoins two of her most recent recurring cinematic themes with Sidonie in Japan,...
The Good Earth: Arcel Inherits the Wind with Romanticized Historical Recuperation
After making his English language debut with the imperiled Stephen King adaptation The Dark...
Horse Girl: Oren Gets Hot to Trot in Strange, Alluring Debut
What is it about horses, exactly, and their tacit parallels with subterranean conduits of...
Death in the Garden: Chebbi Debuts Eerie, Nuanced Murder Mystery
In a supremely frightening sense, the events transpiring in Ashkal (which means ‘shapes’ in Arabic) recalls...
The Land That Time Forgot: Vroda Mines Eroding Memories in Speculative Debut
Thomas Wolfe meant You Can’t Go Home Again metaphorically, but such might literally...
Boogie Nights: Exarchou Doses Summertime Sadness in Achy Melodrama
For anyone who’s ever wondered what life might be like for employees at any tourist trap...
The Good Earth: Ruijun Crafts Poignant Portrait of Transformative Love
Director Li Ruijun returns to familiar themes in his sixth feature, Return to Dust, a...
Primetime Cut: Hazanavicius Returns to Absurdity with Overdone Zombie Remake
Michel Hazanavicius has certainly established his affection for the nonsensical, making a name for himself...
Pleasure to Burn: Petzold Stokes the Flames in Diffident Drama
A fragile male ego finds itself dismantled in Afire (Roter Himmel), the second chapter...
We Don’t Need Another Hero: Guiraudie Gets Kooky in Political Comedy of Errors
Alain Guiraudie migrates from rural perversity to urban calamity in the comically...
Come Sail Away: Marcello Runs Aground in Muddled Adaptation
Pietro Marcello returns to literature for inspiration in his third narrative feature (and French language debut),...
In the Name of the Father: Ferrara Explore Infamous Saint with Guerrilla Branded Biopic
Like many of Abel Ferrara’s projects hobbled by various production issues,...
Baptism by Water: Unrequited Longing & Fear Found in Le Bon's Simmering Debut
In a perfect swirl of the uninitiated and inhibition, in her directorial...
So Daddy, I’m Finally Through: Kovalenko Explores Familial Dysfunction in Rural Melodrama
The suppression of women by the heteropatriarchy is tale as ancient as civilization,...
If You Don’t Die Today: Moretti Can’t Find the Rhythm in Musical Delusion
To say the latest film from Nanni Moretti, Il sol dell'avvenire (A Brighter...
Other People’s Children: Deloget Butts with Bureaucracy in Familial Drama
Virginie Efira continues to explore the arduous spectrum of contemporary motherhood in her latest film,...
Rites of Resistance: Messora & Salaviza Provide Historical Ellipses of the Krahô
Researching a community without causing hindrance or harm has long been a concern...
The End of the Affair: Naveriani Finds Love in a Hopeless Place
Georgian filmmaker Elene Naveriani solidifies her gravitational pull towards examining rural social misfits...
Baby the Rain Must Fall: Life Imitates Art in Serman-Daï’s Narrative Debut
There’s a literalness in It’s Raining In The House (Il pleut dans la maison)...
Put a Label on It: Corsini’s Corsica is a Lieu for Inter & Intra-personal Growth
Napoleon Bonaparte’s birthplace is certainly a site rich in history...
Cléo Entre 5 et 7: Everyone Shares the Same Song in Amachoukeli’s Sophisticated Sophomore Feature
Letting go is never easy but what happens when it’s...
Hero Complex: Moll Refreshes Detective Procedural with Cat's Paw Narrative
With his early naughts (With a Friend Like Harry..., Lemming) and grisly disappearance thriller Only...
Coming Home: Nakonechnyi Explores Collateral Damage in Prescient Drama
While the near decade long conflict between Russian and Ukraine has spilled into full-blown war, a...
Hold the Phone: Johnson Delivers the Ballad of the BlackBerry
Exposing the accidental alchemy which generated the titular BlackBerry, the world’s first Smartphone (and as...
Portrait of a Lady: Pallaoro Quietly Searches for Grace in Profound Reconciliation
There’s a relentless, nearly crushing sense of heartache girding Andrea Pallaoro’s Monica, his...
On a Racist Day You Can See Forever: Mungiu Confronts Nationalism in Fractious Drama
On the surface, R.M.N., the latest feature from Romanian New Wave...
Hazy Shade of Winter: Honore Deals with a Death in the Family in Sincere Coming-of-Age
Christophe Honoré has built an intricate filmography on the backs...
Sex and Longing: Efira Shines in Zlotowski’s Portrait of Missed Opportunities
In a celebrated tradition of quietly personal characterizations French cinema is known for, Rebecca...
Aging Disgracefully: Hayakawa Questions Institutional & Internalized Ageism
If a septuagenarian falls in a forest and no one is around to hear it, does it...
Vigilante Shanty: Kooky Becomes Dupieux in Latest Whimsy
Quentin Dupieux’s penchant for absurdity shows no signs of abating, with Smoking Causes Coughing, the latest offering...