Tag: Foreign Film Review

Without Air | 2023 Toronto Intl. Film Festival Review

A Teacher Fights For Her Job In Katalin Moldovai’s Simmering Indictment of Hungary’s Culture Wars Agnieszka Holland’s largely forgotten (and quite awful) 1995 biopic Total...

Hors-saison | 2023 Venice Film Festival Review

Lover Come Back: Romance Rekindles in Brizé’s Elegant Exploration of Regret The universal dilemma of romantic regret is wondering ‘what could have been’ based on...

Woman Of… | 2023 Venice Film Festival Review

Pieces of a Woman: Szumowska & Englert Compose Compassionate Portrait of Trans Woman “Testosterone is power,” confirms one physician advising Andrzej, the protagonist of Malgorzata...

Lubo | 2023 Venice Film Festival Review

Children of a Lesser God: Diritti Highlights Swiss War Crimes in Prolonged Drama The actual history being explored in Giorgio Diritti’s three-hour drama Lubo is...

Holly | 2023 Venice Film Festival Review

The Girl with All the Gifts: Torch Tiptoes into Genre with Aloof Drama Belgian director Fien Troch has built a steadfast filmography on quietly painful...

The Summer With Carmen | 2023 Venice Film Festival Review

The Write Stuff: Life Becomes Art in Mavroeidis Sun Dappled Debut Hindsight is 20/20, especially when it comes to using romantic liaisons as creative fodder...

Following the Sound | 2023 Venice Film Festival Review

Not in the Script: Sugita’s New Form of Companionship Takes on Heartaches and Heartbreaks Rewriting the notion of what it truly means to follow someone...

Enea | 2023 Venice Film Festival Review

Deal or No Deal: Castellitto Distracted by Design in Drug Pusher Drama Director Pietro Castellitto embarks on a familial affair with sophomore film Enea, in...

The Palace | 2023 Venice Film Festival Review

It’s Only the End of the World: Polanski Checks Out with Broad Satire As many are likely to avoid The Palace, the latest film from persona...

Making Of | 2023 Venice Film Festival Review

The Working Class Goes to the Back Lot: Kahn Prosaically Processes a Director’s Strife What should cinema be and who should it be made for?...

Love Is a Gun | 2023 Venice Film Festival Review

Lucky Number Seven: The Grabbing Hands Grab All They Can in Lee Hong-Chi’s Debut Working as both a crime film (non-gangster former life) and drama-soaked...

Vermines | 2023 Venice Film Festival Review

The Spider’s Stratagem: Vanicek Weaves Familiar Web with Debut Creature Feature Creature features have an odd way of satisfying a variety of our escapist desires,...

Adagio | 2023 Venice Film Festival Review

Rome, Smoking City: Sollima Languorous Thriller Tiresomely Tests Narrative Cliches The most apropos element of Stefano Sollima’s Adagio is the title itself, as it’s two-hour-plus...

Sobre todo la noche (Foremost the Night) | 2023 Venice Film Festival Review

Other Mothers: Iriarte’s Debut a Murky Mix of Neo Noir and Melodrama For his film debut Foremost the Night, Víctor Iriarte frames his peculiarly staged...

Finalmente L’Alba (Finally Dawn) | 2023 Venice Film Festival Review

Cruel Intentions: Costanzo Pays Homage to the Demi-Monde of the Italian Film Industry After adapting Elena Ferrante’s "My Brilliant Friend" for television, Saverio Costanzo returns...

Sidonie au Japon | 2023 Venice Film Festival Review

Second Chance Romance: Girard Haunts Huppert in Erstwhile Ghost Story Isabelle Huppert conjoins two of her most recent recurring cinematic themes with Sidonie in Japan,...

Bastarden (The Promised Land) | 2023 Venice Film Festival Review

The Good Earth: Arcel Inherits the Wind with Romanticized Historical Recuperation After making his English language debut with the imperiled Stephen King adaptation The Dark...

L’ordine del tempo | 2023 Venice Film Festival Review

Time After Time: Cavani Commits Time Crimes in Overwrought Farce What does time mean when we’re all out of it? Thus is the quagmire...

Comandante | 2023 Venice Film Festival Review

And the Sea Will Tell: De Angelis Sells the Soft Side of Fascism Napolitano director Edoardo De Angelis embarks on his most lavish offering to...

Piaffe | Review

Horse Girl: Oren Gets Hot to Trot in Strange, Alluring Debut What is it about horses, exactly, and their tacit parallels with subterranean conduits of...

Ashkal: The Tunisian Investigation | Review

Death in the Garden: Chebbi Debuts Eerie, Nuanced Murder Mystery In a supremely frightening sense, the events transpiring in Ashkal (which means ‘shapes’ in Arabic) recalls...

Love Life | Review

Love the One You’re With: Fukada Explores Love and Death as Unhappy Accidents The instability of romance is the only real given in the intimate...

Stepne | 2023 Locarno Film Festival Review

The Land That Time Forgot: Vroda Mines Eroding Memories in Speculative Debut Thomas Wolfe meant You Can’t Go Home Again metaphorically, but such might literally...

Animal | 2023 Locarno Film Festival Review

Boogie Nights: Exarchou Doses Summertime Sadness in Achy Melodrama For anyone who’s ever wondered what life might be like for employees at any tourist trap...

Return to Dust | Review

The Good Earth: Ruijun Crafts Poignant Portrait of Transformative Love Director Li Ruijun returns to familiar themes in his sixth feature, Return to Dust, a...

Final Cut (Coupez!) | Review

Primetime Cut: Hazanavicius Returns to Absurdity with Overdone Zombie Remake Michel Hazanavicius has certainly established his affection for the nonsensical, making a name for himself...

Afire | Review

Pleasure to Burn: Petzold Stokes the Flames in Diffident Drama A fragile male ego finds itself dismantled in Afire (Roter Himmel), the second chapter...

Nobody’s Hero (Viens je t’emmène) | Review

We Don’t Need Another Hero: Guiraudie Gets Kooky in Political Comedy of Errors Alain Guiraudie migrates from rural perversity to urban calamity in the comically...

Scarlet (L’Envol) | Review

Come Sail Away: Marcello Runs Aground in Muddled Adaptation Pietro Marcello returns to literature for inspiration in his third narrative feature (and French language debut),...

Padre Pio | Review

In the Name of the Father: Ferrara Explore Infamous Saint with Guerrilla Branded Biopic Like many of Abel Ferrara’s projects hobbled by various production issues,...

Falcon Lake | Review

Baptism by Water: Unrequited Longing & Fear Found in Le Bon's Simmering Debut In a perfect swirl of the uninitiated and inhibition, in her directorial...

Unclenching the Fists | Review

So Daddy, I’m Finally Through: Kovalenko Explores Familial Dysfunction in Rural Melodrama The suppression of women by the heteropatriarchy is tale as ancient as civilization,...

Il sol dell’avvenire (A Brighter Tomorrow) | 2023 Cannes Film Festival Review

If You Don’t Die Today: Moretti Can’t Find the Rhythm in Musical Delusion To say the latest film from Nanni Moretti, Il sol dell'avvenire (A Brighter...

Rien à perdre (All to Play For) | 2023 Cannes Film Festival Review

Other People’s Children: Deloget Butts with Bureaucracy in Familial Drama Virginie Efira continues to explore the arduous spectrum of contemporary motherhood in her latest film,...

Kidnapped (Rapito) | 2023 Cannes Film Festival Review

A Soul to Take: Bellocchio Deliriously Dissects a Papal Delictum Marco Bellocchio has lost none of his flair nor his energetic zest in his latest...

The Buriti Flower (Crowrã) | 2023 Cannes Film Festival Review

Rites of Resistance: Messora & Salaviza Provide Historical Ellipses of the Krahô Researching a community without causing hindrance or harm has long been a concern...

Blackbird Blackbird Blackberry | 2023 Cannes Film Festival Review

The End of the Affair: Naveriani Finds Love in a Hopeless Place Georgian filmmaker Elene Naveriani solidifies her gravitational pull towards examining rural social misfits...

Il pleut dans la maison (It’s Raining in the House) | 2023 Cannes Film Festival Review

Baby the Rain Must Fall: Life Imitates Art in Serman-Daï’s Narrative Debut There’s a literalness in It’s Raining In The House (Il pleut dans la maison)...

Les meutes (Hounds) | 2023 Cannes Film Festival Review

Wash Away Your Sins: The Apple Falls a Bit Further Out From the Tree in Lazraq’s Stunning Debut Father and son learn the power of...

Le retour | 2023 Cannes Film Festival Review

Put a Label on It: Corsini’s Corsica is a Lieu for Inter & Intra-personal Growth Napoleon Bonaparte’s birthplace is certainly a site rich in history...

Ama Gloria | 2023 Cannes Film Festival Review

Cléo Entre 5 et 7: Everyone Shares the Same Song in Amachoukeli’s Sophisticated Sophomore Feature Letting go is never easy but what happens when it’s...

The Night of the 12th | Review

Hero Complex: Moll Refreshes Detective Procedural with Cat's Paw Narrative With his early naughts (With a Friend Like Harry..., Lemming) and grisly disappearance thriller Only...

Butterfly Vision | Review

Coming Home: Nakonechnyi Explores Collateral Damage in Prescient Drama While the near decade long conflict between Russian and Ukraine has spilled into full-blown war, a...

BlackBerry | Review

Hold the Phone: Johnson Delivers the Ballad of the BlackBerry Exposing the accidental alchemy which generated the titular BlackBerry, the world’s first Smartphone (and as...

Monica | Review

Portrait of a Lady: Pallaoro Quietly Searches for Grace in Profound Reconciliation There’s a relentless, nearly crushing sense of heartache girding Andrea Pallaoro’s Monica, his...

R.M.N. | Review

On a Racist Day You Can See Forever: Mungiu Confronts Nationalism in Fractious Drama On the surface, R.M.N., the latest feature from Romanian New Wave...

Winter Boy (Le Lycéen) | Review

Hazy Shade of Winter: Honore Deals with a Death in the Family in Sincere Coming-of-Age Christophe Honoré has built an intricate filmography on the backs...

Les Enfants des Autres (Other People’s Children) | Review

Sex and Longing: Efira Shines in Zlotowski’s Portrait of Missed Opportunities In a celebrated tradition of quietly personal characterizations French cinema is known for, Rebecca...

Plan 75 | Review

Aging Disgracefully: Hayakawa Questions Institutional & Internalized Ageism If a septuagenarian falls in a forest and no one is around to hear it, does it...

Smoking Causes Coughing | Review

Vigilante Shanty: Kooky Becomes Dupieux in Latest Whimsy Quentin Dupieux’s penchant for absurdity shows no signs of abating, with Smoking Causes Coughing, the latest offering...

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