Tag: Foreign Film Review

Savanna and the Mountain | 2024 Cannes Film Festival Review

Once Upon a Time in Barroso: Carneiro Speaks Truth to Power Opening with the gusto of a faded fairy tale, Portuguese filmmaker Paulo Carneiro’s Savanna...

Three Kilometres To The End Of The World | 2024 Cannes Film Festival Review

It Can’t Happen Here: Parvu’s Agonizing Procedural on Small Town Homophobia For his third feature, Three Kilometers to the End of the World, Romanian director...

Locust | 2024 Cannes Film Festival Review

Code of Silence: KEFF Revisits Time of Turmoil For his directorial debut, KEFF revisits the pinnacle of turmoil during the 2019 Hong Kong protests as...

Something Old, Something New, Something Borrowed | 2024 Cannes Film Festival Review

Other People’s Money: Rosselli Finds Being Criminal is Relative In keeping with a growing tradition of contemporary Argentinian cinema’s unorthodox narrative structures, editor Hernán Rosselli...

When The Light Breaks | 2024 Cannes Film Festival Review

Grieving Rights: Runarsson Explores Interrupted Mourning For his fourth narrative feature, Iceland’s Rúnar Rúnarsson returns to themes of emotional disruption with When the Light Breaks....

Simon of the Mountain | 2024 Cannes Film Festival Review

The Face of An(other): Luis Complicates Identity Politics Although it’s playing quite purposefully with various ambiguities and motifs, Federico Luis’ directorial debut Simon de...

Le Deuxième Acte (The Second Act) | 2024 Cannes Film Festival Review

The Art of Saying Nothing: Dupieux Deconstructs Cinema Had Luis Bunuel approached conveying the reality of cinema produced by artificial intelligence, there may have been...

Exclusive Clips: Lorenzo Ferro is Hard to Read in Federico Luis’ “Simon of the Mountain” – 2024 Cannes Film Festival

Among the Croisette items contending for the prestigious Caméra d'Or at Cannes, a fresh voice emerges from Argentina's film scene: Federico Luis, a filmmaker...

Aisha | Review

No Safe Havens: Letitia Wright’s Breathtaking Refugee Turn Frank Berry’s Aisha is the superbly moving record of a Nigerian refugee’s quiet fight for dignity in...

Jeanne du Barry | Review

Vanity Affair: Maïwenn Tarries with Madame du Barry For her sixth feature film, Maïwenn tackles her first period piece with Jeanne du Barry, resurrecting a...

La Bête (The Beast) | Review

In the Mood for Love & Death: Bonello Explores the Final Frontier of Emotional Intelligence Throughout the dizzying centuries-spanning odyssey of an unrequited love in...

The Old Oak | Review

A Tree Grows in England: Loach Loses Steam in Klutzy Refugee Drama There’s no doubt Ken Loach is one of the most prominent social-realist directors...

Coup de chance | Review

Bad Luck Banging: Luck is a Fickle Mistress in Allen’s Amusing Gallic Debut For his fiftieth (and rumored to be last) film, Woody Allen’s French...

La Chimera | Review

The Passionate Thief: Rohrwacher Finds Treasures Under the Tuscan Sun “The sun is following us,” whispers a willowy blonde in the enigmatic opening moments...

DogMan | Review

All Dogs Go to Heaven: Besson Gets Bombastic with Retro Pulp The suspension of disbelief required to enjoyably settle into Luc Besson’s latest film, DogMan,...

Asphalt City | Review

Angel Heart: Sauvaire Serves Savior Complex in EMS Thriller “It’s easier with wings than without,” was the tagline for Wim Wenders’ 1987 film Wings of...

Limbo | Review

Desert Fury: Sen Gets Bleak in the Heat of a Cold Case Mystery Despite it being the title of innumerable films from around the world,...

The Shadowless Tower | Review

The Polite Stuff: Lu Searches for Redemption Through the Walking & Talking Cure In the strangely alluring The Shadowless Tower, (Bai Ta Zhi Guang)...

Club Zero | Review

The Prime of Miss Jean Foodie: Hausner Satirizes Cult Behavior Through Caloric Deficit Expanding on the genre sentiments which guided her past titles Hotel (2004)...

Silver Haze | Review

Keeper of the Flame: Polak Reckons with Reconciliation vs. Retribution in Conventional Drama Dutch director Sacha Polak continues to explore the difficulties of acceptance and...

Shambhala | 2024 Berlin Intl. Film Festival Review

Defending Your Life: Bham’s Captivating Quest Follows Its Own Path The journey is the destination in Nepalese director Min Bahadur Bam’s graceful sophomore film,...

About Dry Grasses | Review

To Sir, With Ego: Ceylan Waltzes with Narcissism in Captivating Character Study The filmography of Nuri Bilge Ceylan is characterized by complex examinations of human...

Io Capitano | Review

Journey to Italy: Garrone Details Arduous Migrant Odyssey It might be a rite of passage for contemporary Italian auteurs to examine the grueling adversity faced...

Sons (Vogter) | 2024 Berlin Intl. Film Festival Review

A Poison Tree: Moller Employs Wrathful Mother in Jailhouse Revenge Drama “A man that studied revenge keeps his own wounds green,” comes to mind in...

The Great Yawn of History | 2024 Berlin Intl. Film Festival Review

Cave of Forgotten Dreams: Rasti Hunts for Spiritual Treasures There have been countless films about the quest for fortune and glory, but you’ll be hard-pressed...

Who Do I Belong To | 2024 Berlin Intl. Film Festival Review

Return of the Soldier: Joobeur Explores Ghosts of War Matriarchs confronted by their radicalized children have slowly and painstaking formed a cinematic subgenre of...

Gloria! | 2024 Berlin Intl. Film Festival Review

Music of the Heart: Vicario Pays Symphonic Homage to Erased History Composer Margherita Vicario makes her directorial debut with Gloria!, a period piece recuperating a...

Foreign Tongue (Langue étrangère) | 2024 Berlin Intl. Film Festival Review

Tongues Untied: Love Lies Easy in Burger’s Cross Culture Coming of Age Drama There’s a lot going on in Claire Burger’s third film, Foreign Tongue...

Raíz (Through Rocks and Clouds) | 2024 Berlin Intl. Film Festival Review

A Walk in the Clouds: Becerra Mines Escapism and Innocence in Quiet Drama A dwindling group of alpaca herders find themselves on the verge...

My New Friends (Les gens d’à côté) | 2024 Berlin Intl. Film Festival Review

Your Friends & Neighbors: Téchiné Tries for Ethical Sentiments Now in his eighties, director André Téchiné continues his steady, perennial output with the humanist melodrama...

Dying (Sterben) | 2024 Berlin Intl. Film Festival Review

Family Matters: Glasner’s Sprawling Portrait of Chaotic Dysfunction Exemplifying Tolstoy’s famous Anna Karenina quote on ‘every unhappy family is unhappy in its own way,’ German...

Some Rain Must Fall | 2024 Berlin Intl. Film Festival Review

Mistress of Misery: Yang Explores the Turmoil of Transformation Here comes the rain again, falling on her head like a tragedy. Or so is the...

Reas | 2024 Berlin Intl. Film Festival Review

Caged Birds Singing: Arias Re-enacts Prison Experiences If Orange is the New Black was being workshopped as a community theater musical, it might resemble something...

My Summer with Irène | 2024 Berlin Intl. Film Festival Review

Summertime Sadness: Sironi Escapes to Sicily in Oblique Friendship Drama There’s no running away from the past, no matter how glorious the sun dappled idyll...

Arcadia | 2024 Berlin Intl. Film Festival Review

None of Us Strangers: Zois Probes Unrest of Our Shadows “It is a defect of God’s humor that he directs our hearts everywhere but to...

From Hilde, With Love | 2024 Berlin Intl. Film Festival Review

Germany, Pale Mother: Dresen Locates the Good Germans of WWII It comes as no surprise an old-fashioned director such Andreas Dresen is adept at making...

My Favorite Cake | 2024 Berlin Intl. Film Festival Review

Layer Cake: Moghaddam & Sanaeeha Find Love in a Hopeless Place If ever there were a film depicting how one cannot have their cake and...

The Editorial Office | 2024 Berlin Intl. Film Festival Review

The Winds of War: Bondarchuk Straddles a World On a Wire While it should play like an absurdist black comedy, Roman Bondarchuk’s sophomore narrative feature...

Perdidos en la noche (Lost in the Night) | Review

Night Moves: Escalante Cultivates a Moody, Capricious Mystery Replete with a slew of customary features encountered in a fatalistic film noir, Amat Escalante’s fifth feature,...

Interview: Tran Anh Hung – The Taste of Things

In the Cannes Best Director-winning, The Taste of Things (aka The Pot-au-Feu) the passage of time is measured in teaspoons, tablespoons and table manners....

The Taste of Things | Review

Where’s the Beef?: Tran Anh Hung Activates the Salivary Glands Gastronomy has never seemed so forlornly romantic as it is in Tran Anh Hung’s sumptuous...

Perfect Days | Review

Road to Nowhere: Wenders Welcomes the Pleasures of a Simple Life in Quiet Drama In his most successfully realized narrative feature in years, Wim Wenders...

Disco Boy | Review

Mal Travaille: Abbruzzese Finds the Rhythm of the Night in Hypnotic Debut “E’en hell hath its peculiar laws,” remarked Faust in Goethe’s eternal classic, the...

Grey Bees | 2024 International Film Festival Rotterdam Review

Life During Wartime: Dmytro Moiseiev Chronicles Everyday Survival In Donbass Before Russia’s Invasion How did life go on for people living in the grey zone...

Steppenwolf | 2024 International Film Festival Rotterdam Review

Move Over John Wick: Adilkhan Yerzhanov Unleashes A Bloody Tale Of Vengeance In His Latest Feature Bleak, bloody, and bullet-riddled, the latest from prolific Kazakh...

Flathead | 2024 International Film Festival Rotterdam Review

Days And Nights In Bundaberg: Jaydon Martin’s Docu-Fiction Journey Leaves Outsiders Adrift Falling under an atmospheric shadow of loss and regret, Flathead, the directorial debut...

Me, Maryam, the Children and 26 Others | 2024 International Film Festival Rotterdam Review

Camera Crew: Filmmakers Become Family In Farshad Hashemi’s Quietly Defiant Meta-Movie The problem with being lonely isn’t being alone, it’s how easy it can be...

Swimming Home | 2024 International Film Festival Rotterdam Review

Marriage Story: Justin Anderson Serves Up An Enigmatic Challenge Is His Feature Debut A marriage in crisis cooks under the summer sun in filmmaker Justin...

Tótem | Review

Life and Death of the Party: Aviles’ Bustling Ensemble Piece Balances Pain & Profundity Taking place over the course of one frenetic day, Lila...

Under the Fig Trees | Review

Figment of their Imagination: Sehiri’s Baskets Filled with Hope, Humor and Harsh Truths There is a lot more behind the scenes drama that goes into...

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Coward | 2026 Cannes Film Festival Review

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