Tag: Jeffrey Wright

2023 Gotham Awards: All of Us Strangers Leads Noms, but it’s a “Past Lives” vs. “A Thousand and One” Event

In what is an increasingly convoluted ceremony (remember that each category is determined by a mere five individuals), All of Us Strangers takes the...

Asteroid City | Review

The Lost City of Twee: Anderson Continues Quest of Counterfeit Sentiments Somewhere along the way, over the past twenty years, Wes Anderson’s style completely...

Wes Anderson’s Asteroid City – 2023 Cannes Critics’ Panel: Day 7

Technically speaking the great American filmmaker Wes Anderson has now appeared in the Cannes competition with three titles - opening the '12 edition with...

The Batman | Review

Gotham, Open City: Reeves Reconstitutes an Anti-Hero in Moody Reboot Who would have ever predicted in the fifty-plus years since Adam West first donned the...

2022 Sundance Film Festival Predictions: Anthony Mandler’s Surrounded

With an already amazing track record as a music video helmer / television commercial director Anthony Mandler saw his debut feature film Monster break...

The French Dispatch | Review

Repetition Commission: Anderson Flatlines with Twee Aesthetic Since cinema requires a semblance of participation by the audience, a passive relationship of sorts, the latest curio...

No Time to Die | Review

A Time to Love & a Time to Spy: Fukunaga Lays Craig to Rest in Bond Bacchanalian It all comes full circle, or at least...

Monster [Video Review]

Fait Accompli: Mandler Mines the Gray Zone of Truth and Consequences While more of an interesting conversation piece than the accomplished melodrama it deserves to...

Interview: Jeffrey Wright & A$AP Rocky – Anthony Mandler’s Monster

Acting mainstay Jeffrey Wright jumps between mainstream and indie productions like it’s his job. In fact, it is: Wright’s résumé includes Broadway (Angels in...

Interview: Kelvin Harrison Jr. – Anthony Mandler’s Monster

Kelvin Harrison Jr. first came to Sundance with Birth of a Nation in 2016, then Oscar-nominated Mudbound in 2017. This past year, he was...

Interview: Producers Tonya Lewis Lee, Nikki Silver, Mike Jackson, Daniel Crown & Yoni Liebling – Anthony Mandler’s Monster

Sundance ’18 crowd-favorite Monster tells the agonizing tale of a 17-year-old honors student in a racially-charged legal battle. Adapted from Walter Dean Meyers’ award-winning...

Interview: Madeleine Sackler – O.G. / It’s a Hard Truth, Ain’t It

Known for her eye-opening documentaries, Emmy-winning producer/director Madeleine Sackler had not one but two films in 2018’s Tribeca Film Festival: It’s a Hard Truth, Ain’t...

Top 100 Most Anticipated American Independent Films of 2019: #3. Wes Anderson’s The French Dispatch

The French Dispatch More croissant than cronut, Wes Anderson returns to the red, white and blue but of the Hotel Chevalier and Jacques Cousteau sort...

Friday’s Child | 2018 SXSW Film Festival Review

Edward's Coming of Age Thriller on the Fringe is a Big Mood Some films aren’t meant to be enjoyed, some instead exist to agitate and...

Top 100 Most Anticipated American Indie Films of 2018: #14. Jeremy Saulnier’s Hold the Dark

Hold the Dark Prior to launching into Season 3 of True Detective, it appeared that we would have had had the chance to see Jeremy...

Top 100 Most Anticipated American Indie Films of 2018: #38. A.J. Edwards’ Friday’s Child

Friday’s Child “Sponging both formal technique and spiritual inflection to create a film that looks, sounds and feels like the work of Malick, yet stands...

Top 100 Most Anticipated American Indie Films of 2018: #87. Anthony Mandler’s Monster

Monster He might have been itching to direct a project as early as 2013 with the book to screen project of Tokyo Vice with Daniel Radcliffe, but...

Sundance ’18: Morano, Silva, Akhavan & Boots Riley Among U.S. Dramatic Comp Selections

Last year's section of sixteen included such gems as Beach Rats (Directing Award), Brigsby Bear, Ingrid Goes West (Waldo Salt Screenwriting Award), Golden Exits...

2018 Sundance Film Festival Predictions: Anthony Mandler’s Monster

A heavyweight music video helmer for close to two decades, Anthony Mandler's list of creds reads like Jack Kerouac's Famous 'On the Road' scroll....

2018 Sundance Film Festival Predictions: Jeremy Saulnier’s Hold the Dark

A filmmaker we've been keeping tabs on since the late naughts when his Slamdance/SXSW preemed 2007's Murder Party dropped, Jeremy Saulnier played a significant creative role with...

2018 Sundance Film Festival Predictions: A.J. Edwards’ Friday’s Child

A Terrence Malick school of cinema apprentice, there are certain parallels that can be drawn between the ethos, pathos or filmmaker conditioning of A.J. Edwards....

The Hunger Games: Mockingjay – Part 1 | Review

The Games They Play: Collins’ YA Dystopia Trudges On and On As is now customary in the designed business model of franchise movie making,...

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