In what is an increasingly convoluted ceremony (remember that each category is determined by a mere five individuals), All of Us Strangers takes the...
The Lost City of Twee: Anderson Continues Quest of Counterfeit Sentiments
Somewhere along the way, over the past twenty years, Wes Anderson’s style completely...
Technically speaking the great American filmmaker Wes Anderson has now appeared in the Cannes competition with three titles - opening the '12 edition with...
Gotham, Open City: Reeves Reconstitutes an Anti-Hero in Moody Reboot
Who would have ever predicted in the fifty-plus years since Adam West first donned the...
With an already amazing track record as a music video helmer / television commercial director Anthony Mandler saw his debut feature film Monster break...
Repetition Commission: Anderson Flatlines with Twee Aesthetic
Since cinema requires a semblance of participation by the audience, a passive relationship of sorts, the latest curio...
Fait Accompli: Mandler Mines the Gray Zone of Truth and Consequences
While more of an interesting conversation piece than the accomplished melodrama it deserves to...
Acting mainstay Jeffrey Wright jumps between mainstream and indie productions like it’s his job. In fact, it is: Wright’s résumé includes Broadway (Angels in...
Sundance ’18 crowd-favorite Monster tells the agonizing tale of a 17-year-old honors student in a racially-charged legal battle. Adapted from Walter Dean Meyers’ award-winning...
Known for her eye-opening documentaries, Emmy-winning producer/director Madeleine Sackler had not one but two films in 2018’s Tribeca Film Festival: It’s a Hard Truth, Ain’t...
The French Dispatch
More croissant than cronut, Wes Anderson returns to the red, white and blue but of the Hotel Chevalier and Jacques Cousteau sort...
Friday’s Child
“Sponging both formal technique and spiritual inflection to create a film that looks, sounds and feels like the work of Malick, yet stands...
Last year's section of sixteen included such gems as Beach Rats (Directing Award), Brigsby Bear, Ingrid Goes West (Waldo Salt Screenwriting Award), Golden Exits...
A filmmaker we've been keeping tabs on since the late naughts when his Slamdance/SXSW preemed 2007's Murder Party dropped, Jeremy Saulnier played a significant creative role with...
A Terrence Malick school of cinema apprentice, there are certain parallels that can be drawn between the ethos, pathos or filmmaker conditioning of A.J. Edwards....