Tag: Steve Buscemi
2024 Sundance Film Festival Predictions: Tolga Karaçelik’s The Shallow Tale of a Writer Who Decided to Write about a Serial Killer
Completely off trade news radar, we learned that Turkish filmmaker Tolga Karaçelik moved into production on his English-language debut this past June with none-other...
Day for Night: Production Begins on Tolga Karacelik’s “Shallow Tale” with Steve Buscemi
Production has officially begun on Tolga Karacelik's fourth feature film. Following 2018's Sundance/Rotterdam preemed Butterflies - winner of the Grand Jury Prize (Ruben Östlund...
The Listener | 2022 Venice Film Festival Review
Phone Call from a Stranger: Buscemi Conducts a Conduit of Trauma in Striking One-Woman Show
Conjuring everything from Jean Cocteau to T.S. Eliot, Steve Buscemi...
2022 TIFF: Bill Pohlad, Laura Mora & Steve Buscemi Among the 10 Industry Selects
One Un Certain Regard selected film (Lotfy Nathan's Harka), four films headed to Venice (Arian Vazirdaftari's Without Her, Bill Pohlad's Dreamin’ Wild, Steve Buscemi's...
2022 Toronto Intl. Film Festival: 100 Predictions (Part III) Chen, Frears, Zeller, Lafleur, Spielberg & Polley
And here we are with the third part in our top 100 predictions.
Chad Chenouga's third feature film Le Principal might be one of those...
The King of Staten Island | Review
King Without a Crown: Apatow Deifies Davidson in Latest Dramedy
For his sixth directorial outing, Judd Apatow continues with his method of building a narrative...
The Dead Don’t Die | Review
Fear the Mocking Dead: Jarmusch’s Zombie Sketch is DOA
“The world is perfect. Appreciate the details,” says deliveryman RZA (in one of the film’s many...
2019 Cannes Critics’ Panel: Day 1 – Jim Jarmusch’s The Dead Don’t Die
A long and rich history with the festival since 1984's Stranger Than Paradise premiered on the Croisette and won the Caméra d'or 1984, Jim...
Top 100 Most Anticipated American Independent Films of 2019: #4. Jim Jarmusch’s The Dead Don’t Die
Shifting sideways from the extensionalism lethargy found vampires in goth tweaked Only Lovers Left Alive to possibly reanimated corpses that haven't said their last word...
Nancy | 2018 Warsaw International Film Festival Review
Out of the Void: Chloe Embarks on Nuanced, Complex Search for Human Warmth
In Christina Choe’s first feature, Andrea Riseborough gives a subtle performance as...
Interview: Andrew Haigh – Lean on Pete
Moving from deep conversations and casual sex (Weekend) to a couple's disentangle and a woman's profound change (45 Years), Andrew Haigh returns to the familiar...
Interview: Christina Choe – Nancy
We often relate the notion of identity with DNA, our given name as spelled out on an envelope, the social media account profile we...
Video: Christina Choe’s Nancy | 2018 Sundance Film Festival
As a film production, Nancy is the sort of micro indie project (we've been tracking for some time now) that serves as an example of...
Video: Andrew Haigh’s Lean on Pete – 2017 TIFF Post Screening Q&A
After being showcased at Venice, TIFF (where we were on hand) and SXSW, A24 releases Lean on Pete in theatres this weekend. There is not much horsing...
Top 100 Most Anticipated American Indie Films of 2018: #52. Christina Choe’s NANCY
With a half dozen shorts under her belt and a recent trip to North Korea in this more personable travelogue docu diary series, Christina...
Sundance ’18: Morano, Silva, Akhavan & Boots Riley Among U.S. Dramatic Comp Selections
Last year's section of sixteen included such gems as Beach Rats (Directing Award), Brigsby Bear, Ingrid Goes West (Waldo Salt Screenwriting Award), Golden Exits...
2018 Sundance Film Festival Predictions: Christina Choe’s Nancy
After building a half dozen short film resume, her feature film debut appears to be the result of a lot of indie blood, sweat...
Norman: The Moderate Rise and Tragic Fall of a New York Fixer | DVD Review
Already one of the most obscured gems of 2017, Joseph Cedar’s impressive English debut Norman: The Moderate Rise and Tragic Fall of a New...
Criterion Collection: Ghost World | Blu-ray Review
Although most widely recognized for his 2003 black comedy Bad Santa, director Terry Zwigoff’s particular idiosyncrasies are perhaps best captured in his 2001 narrative...
Norman: The Moderate Rise and Tragic Fall of a New York Fixer
Fixer Downer: Cedar Unleashes Fascinating Portrait of Aggravating Underdog
There’s an unshakeable sadness to Israeli director Joseph Cedar’s English language debut Norman: The Moderate Rise...
Top 100 Most Anticipated Foreign Films of 2017: #22. Andrew Haigh’s Lean on Pete
Lean on Pete
Director: Andrew Haigh
Writer: Andrew Haigh
British filmmaker Andrew Haigh may possibly unveil two new projects this year, the first being Lean on Pete,...
2017 Sundance Film Festival Predictions: Andrew Haigh’s Lean on Pete
Seeing that Andrew Haigh's career has been climbing in the same upward trajectory as the best stock options on the fortune 500, we shouldn't be...
Time Out of Mind | Review
Time to Time: Moverman’s Austere Portrait of Homelessness
There’s a deliberate soul-crushing methodology to Oren Moverman’s third feature Time Out of Mind (taking its title from...
The Cobbler | Review
Shoe Be Doo: McCarthy’s Magical Realism Has No Sole
Actor Thomas McCarthy has developed a solid reputation as an indie film director thanks to his...
From Faith Akin to Craig Zobel: Our Top 100 Most Anticipated Films of 2014
Before we unleash the beast that is our annual Top 100 Most Anticipated Films List for 2013, we thought we'd give our readers an...
